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Anyway, going back to the disappeared, Lopa is playing that Aurelio Martinez during Wo3 tonight ( 4/2/2011)
It's as if she knew what was going to happen
If you only manage to Listen Again to 1 of Max's then I'd probably recommend Thursday, and you're going to have missed some good stuff,
Good sounds to boil cabbage to whilst the moon loiters palely overhead casting her Selenic influences. (but don't forget you've missed a full Mirror Man on Tues and that doesn't happen often)
btw that nuthatch has just been sitting outside my window again - I'll post a pic if anyone is in the slightest bit interested...
Last edited by Globaltruth; 06-02-11, 15:29.
Reason: comprehensibiliy - whatever that is
btw that nuthatch has just been sitting outside my window again - I'll post a pic if anyone is in the slightest bit interested...
A nuthatch would crackin' G - this morning just at the Alyth roundabout a peewit flapped by overhead - added to the spotted woodpecker in the forest yesterday; made my heart sing, 'Spring, ......please!'
If you only manage to Listen Again to 1 of Max's then I'd probably recommend Thursday, and you're going to have missed some good stuff,
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Thanks Global - I took your advice and moved beyond Charlie Patton - the Terry Jennings piece Winter Trees played by John Tillbury was so beautiful - worth the price of admission to my ears.
additionally i must say that I admire Jazzbo's academic rigor...takes me back
"Free of ties or fidelity to any particular Andean tradition, the Parras combined Andean instruments with those from different regions of Latin America, and also used them to play and compose non-Andean music. The well known song “Gracias a la vida” by Violeta Parra, for instance, is based on the sirilla, a 6/8 genre from the south of Chile of Hispanic origin, but it was composed and performed on the charango, which became Violeta Parra’s trademark instrument in the 1960s."
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