If this is your first visit, be sure to
check out the FAQ by clicking the
link above. You may have to register
before you can post: click the register link above to proceed. To start viewing messages,
select the forum that you want to visit from the selection below.
The Carnatic tradition is much more open to adopting Western instruments than the North Indian classical tradition, and produced brilliant players like U Srinivas (electric mandolin) and Kadri Gopalnath (alto saxophone), both sadly no longer with us.
The Carnatic tradition is much more open to adopting Western instruments than the North Indian classical tradition, and produced brilliant players like U Srinivas (electric mandolin) and Kadri Gopalnath (alto saxophone), both sadly no longer with us.
I didn't know that about Carnatic music, thanks for the info. I wonder why Carnatic music is more open in that regard...
I didn't know that about Carnatic music, thanks for the info. I wonder why Carnatic music is more open in that regard...
I think perhaps because it isn't so concentrated on fine distinctions of pitch owing to its complexity being more in the rhythmic domain. The only Western instruments you see in North Indian music are those with the possibility of continuous changes of pitch, like the violin and Debashish Bhattacharya's slide guitars.
I think perhaps because it isn't so concentrated on fine distinctions of pitch owing to its complexity being more in the rhythmic domain. The only Western instruments you see in North Indian music are those with the possibility of continuous changes of pitch, like the violin and Debashish Bhattacharya's slide guitars.
Comment