Prom 72 - Last Night of the Proms 2022

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20570

    Prom 72 - Last Night of the Proms 2022

    Last Night of the Proms 2022
    19:15 Saturday 10 September 2022 ON TV
    Royal Albert Hall

    Grażyna Bacewicz: Overture for Orchestra
    Trad: Deep River (arr. Samuel Coleridge-Taylor)
    Karl Davydov: At the Fountain
    James B. Wilson: 1922
    Wagner: Tannhäuser – ‘Dich, teure Halle’
    Grieg: 12 Songs, Op. 33 - 'Våren''
    Sibelius: Snöfrid
    Mascagni: Cavalleria rusticana – Easter Hymn; Intermezzo
    Verdi: Macbeth – ‘Vieni! t'affretta!’
    Ian Farrington: A Party with Auntie (world premiere)
    Doreen Carwithen: ODTAA (One Damn Thing After Another) Overture
    Emmerich Kálmán: ‘Heia, heia, in den Bergen ist mein Heimatland’
    Heitor Villa-Lobos: Bachianas Brasileiras – Cantilena
    Valentin Siyvestrov: Prayer for Ukraine
    Henry Wood: Fantasia on British Sea-Songs
    Arne: Rule, Britannia!
    Elgar: Pomp and Circumstance March No. 1 in D major, ‘Land of Hope and Glory’
    Parry (orch. Elgar): Jerusalem
    The National Anthem (arr. Britten)
    Trad: Auld Lang Syne


    Lise Davidsen (soprano)
    Sheku Kanneh-Mason (cello)
    Harriet Walter (actor)
    BBC Singers
    BBC Symphony Chorus
    BBC Symphony Orchestra
    Dalia Stasevska (conductor)

    It’s time to put on your party clothes, grab your favourite flag and raise the roof of the Royal Albert Hall! There’s nothing quite like the Last Night of the Proms – the happiest annual celebration in the classical music calendar. BBC Symphony Orchestra Principal Guest Conductor Dalia Stasevska returns to host a concert that stars soprano Lise Davidsen and cellist Sheku Kanneh-Mason in party pieces by Verdi, Wagner and Coleridge-Taylor, as well as a salute to a century of innovation from rising British composer James B. Wilson – before giving the 2022 BBC Proms a send-off with all the traditional Last Night favourites. Until next year!
    Last edited by Eine Alpensinfonie; 05-09-22, 15:08.
  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20570

    #2
    I've adjusted the programme list slightly. The BBC website compiler gives the impression that Deep River was an original composition by Samuel Coleridge-Taylor.

    Comment

    • PhilipT
      Full Member
      • May 2011
      • 423

      #3
      For those planning to Prom, the Hall have published queuing arrangements here: https://www.royalalberthall.com/abou...he-proms-2022/

      How they can say, in the same breath, that queue numbers are non-transferable and they will issue up to two per person, is beyond me. I hope it means that if you lose the first one they will give you a second, but if you lose that they won't give you a third. I hope.

      Comment

      • Barbirollians
        Full Member
        • Nov 2010
        • 11671

        #4
        I hate these naff bitty Last Nights - they have Sheku for heaven's sake - given him a concerto to play.

        Comment

        • Prommer
          Full Member
          • Dec 2010
          • 1258

          #5
          Originally posted by Barbirollians View Post
          I hate these naff bitty Last Nights - they have Sheku for heaven's sake - given him a concerto to play.
          Yes, though some good stuff for Lise to sing.

          Comment

          • Prommer
            Full Member
            • Dec 2010
            • 1258

            #6
            Would have loved something BY SC-T at the Last Night. Excerpts from Hiawatha?

            Comment

            • Petrushka
              Full Member
              • Nov 2010
              • 12240

              #7
              The heart sinks on several levels at seeing the Last Night come round yet again.

              End of summer, inevitable countdown to Christmas, naff programming, embarrassing conductor's speech, token commission item, famous singer letting their hair down. Nothing really changes. Yet the thing is - I always watch it!
              "The sound is the handwriting of the conductor" - Bernard Haitink

              Comment

              • smittims
                Full Member
                • Aug 2022
                • 4097

                #8
                I hope you enjoy it more than you suggest, Petrushka. I've avoided it for some years now, since it became too rowdy and dumbed-down. I think a happy medium was reached around 1970, e.g. Norman del Mar's restoration of the original Sea Songs fantasia, and Malcolm Arnold's 'fantasia for audience and orchestra'.

                Comment

                • oddoneout
                  Full Member
                  • Nov 2015
                  • 9148

                  #9
                  Originally posted by smittims View Post
                  I hope you enjoy it more than you suggest, Petrushka. I've avoided it for some years now, since it became too rowdy and dumbed-down. I think a happy medium was reached around 1970, e.g. Norman del Mar's restoration of the original Sea Songs fantasia, and Malcolm Arnold's 'fantasia for audience and orchestra'.
                  I find it all seems rather too long and over-egged now - but that might also be an age thing; I no longer feel so duty bound to put up with things I don't enjoy!

                  Comment

                  • Ein Heldenleben
                    Full Member
                    • Apr 2014
                    • 6760

                    #10
                    Originally posted by Petrushka View Post
                    The heart sinks on several levels at seeing the Last Night come round yet again.

                    End of summer, inevitable countdown to Christmas, naff programming, embarrassing conductor's speech, token commission item, famous singer letting their hair down. Nothing really changes. Yet the thing is - I always watch it!
                    Controversially ,along with millions of other sad dupes, I quite like the Last Night. Traditionally it was the night we first contemplated switching on the central heating …..that won’t be happening this year. I’m hanging on for the Festival Of Remembrance…

                    Comment

                    • smittims
                      Full Member
                      • Aug 2022
                      • 4097

                      #11
                      We're beginning to sound like what Ted Greenfield used to call 'unenjoyers'. But I suppose the Last Night's enormous popularity deters the BBc from giving it what I feel would be a much-needed overhaul. I'd prefer it to be closer to a normal concert. It could still be fun, and feature festive or even humorous works without the vulgarity of recent years.

                      Comment

                      • Petrushka
                        Full Member
                        • Nov 2010
                        • 12240

                        #12
                        Originally posted by smittims View Post
                        We're beginning to sound like what Ted Greenfield used to call 'unenjoyers'. But I suppose the Last Night's enormous popularity deters the BBc from giving it what I feel would be a much-needed overhaul. I'd prefer it to be closer to a normal concert. It could still be fun, and feature festive or even humorous works without the vulgarity of recent years.
                        What they used to do was have a long first half that was a concert in itself and no-one would have complained that they hadn't had their money's worth if they'd gone home in the interval.. The second half was for the usual jollifications. In my view, this worked very well. Nowadays, it's a concert that is more or less solely made up of bits and pieces with nothing lasting much longer than five minutes for the Classic FM generation.
                        "The sound is the handwriting of the conductor" - Bernard Haitink

                        Comment

                        • Ein Heldenleben
                          Full Member
                          • Apr 2014
                          • 6760

                          #13
                          Originally posted by Petrushka View Post
                          What they used to do was have a long first half that was a concert in itself and no-one would have complained that they hadn't had their money's worth if they'd gone home in the interval.. The second half was for the usual jollifications. In my view, this worked very well. Nowadays, it's a concert that is more or less solely made up of bits and pieces with nothing lasting much longer than five minutes for the Classic FM generation.
                          My line in the sand is Proms In The Park(s) and the inevitable Danny Boy in syrupy arrangement from NI . There must be another folk song with no sectarian connections they can sing….

                          Comment

                          • Serial_Apologist
                            Full Member
                            • Dec 2010
                            • 37616

                            #14
                            Not knowing most of the first half I may well listen to as far as, but not including the usual National Front/British Movement stuff, and then switch off and do something meaningful for a change.

                            Comment

                            • Ein Heldenleben
                              Full Member
                              • Apr 2014
                              • 6760

                              #15
                              Originally posted by Serial_Apologist View Post
                              Not knowing most of the first half I may well listen to as far as, but not including the usual National Front/British Movement stuff, and then switch off and do something meaningful for a change.
                              Jerusalem is pretty much pure visionary anarchism.Land Of Hope and Glory cannot be sung unironically , and Auld Lang Syne is just about the only time when Lowland Scots is heard in England on broadcast TV.

                              Comment

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