Proms Composer 1: Poulenc

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  • BBMmk2
    Late Member
    • Nov 2010
    • 20908

    #16
    I’ve come to appreciate Poulenc’s music, more in my later years. I don’t know the reason, but just seemed to have worked out like this.
    Don’t cry for me
    I go where music was born

    J S Bach 1685-1750

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    • Hitch
      Full Member
      • Nov 2010
      • 403

      #17
      Dangerous thread, this. It's just lightened my wallet by persuading me to buy the 20CD Erato/Warner box set. Whenever I've encountered Poulenc, he's been pleasing to the ear.

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      • Bryn
        Banned
        • Mar 2007
        • 24688

        #18
        Originally posted by Hitch View Post
        Dangerous thread, this. It's just lightened my wallet by persuading me to buy the 20CD Erato/Warner box set. Whenever I've encountered Poulenc, he's been pleasing to the ear.
        I did the same a little under 8 years ago, when it cost under £30. Sorry to say, I have since listened to very little from it. His work tends to be pleasant enough, but that is maybe my problem with it. I don't feel challenged by it.

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        • Pulcinella
          Host
          • Feb 2014
          • 11309

          #19
          Following up entries in the index of Nichols' book on Poulenc (which arrived today) relating to Ernest Ansermet, I discovered that Ansermet conducted the premiere of Aubade, with Poulenc as the soloist, and also several performances of Stravinsky's Les Noces in which Poulenc was one of the pianists.
          But, curiously, an internet search revealed no recordings of Poulenc's works with Ansermet conducting.
          Does anyone know (or care to conjecture) why Poulenc might not have appealed to Ansermet?
          Can there have been contractual/copyright issues?

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          • Historian
            Full Member
            • Aug 2012
            • 661

            #20
            Originally posted by Hitch View Post
            Dangerous thread, this. It's just lightened my wallet by persuading me to buy the 20CD Erato/Warner box set. Whenever I've encountered Poulenc, he's been pleasing to the ear.
            You're not the only one...

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            • Eine Alpensinfonie
              Host
              • Nov 2010
              • 20585

              #21
              We might consider anticipating Jeremy Sams by choosing our own 5 recordings of Poulenc.

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              • jch48
                Full Member
                • Oct 2019
                • 17

                #22
                A shout out for the Tenebrae disc 'figure humaine'. As an amateur choral singer I find the accuracy and stability of the dissonant chords amazing. Stunning writing.
                My first exposure to Poulenc was the organ concerto, followed by the Gloria, flute and clarinet sonatas, Easter and Christmas motets, then random piano pieces and songs.

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                • gurnemanz
                  Full Member
                  • Nov 2010
                  • 7461

                  #23
                  Arleen Auger's "Love Songs" with Dalton Baldwin on piano is of my favourite discs (certainly a candidate for the Island). It is a recital of exquisitely rendered songs in various languages from diverse composers, including Poulenc's lovely setting of Louise de Vilmorin's poem of faded love - Fleurs. Recorded on Delos in 1988, it is no surprise that it is still in the catalogue.

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