Prom 41 (6.09.21) - BBC Concert Orchestra & James McVinnie

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  • Braunschlag
    Full Member
    • Jul 2017
    • 484

    #16
    Originally posted by Heldenleben View Post
    I’m in dire need of either
    1) the harmony changing more than once every three bars
    2) some counterpoint
    Agreed - yet more tedious organ transcriptions.

    Comment

    • jayne lee wilson
      Banned
      • Jul 2011
      • 10711

      #17
      Originally posted by Braunschlag View Post
      Agreed - yet more tedious organ transcriptions.
      The Glass and Messiaen were both written for Organ...not transcriptions.... very beautiful they sounded tonight.

      Comment

      • ucanseetheend
        Full Member
        • Dec 2010
        • 297

        #18
        Tough for the orchestra with no Interval . Why ever is there not ?
        "Perfection is not attainable,but if we chase perfection we can catch excellence"

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        • Braunschlag
          Full Member
          • Jul 2017
          • 484

          #19
          Maybe, but they sounded like poor arrangements. I’m an ex- organist
          and played plenty of Messiaen, it all sounds the same, an awful lot of effort for very little gain.

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          • Braunschlag
            Full Member
            • Jul 2017
            • 484

            #20
            Mad Rush" was written in 1979 and is based on an earlier organ piece;

            So therefore an arrangement…,

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            • jayne lee wilson
              Banned
              • Jul 2011
              • 10711

              #21
              Originally posted by Braunschlag View Post
              Maybe, but they sounded like poor arrangements. I’m an ex- organist
              and played plenty of Messiaen, it all sounds the same, an awful lot of effort for very little gain.
              There's no accounting for taste!

              Comment

              • jayne lee wilson
                Banned
                • Jul 2011
                • 10711

                #22
                Originally posted by Braunschlag View Post
                Mad Rush" was written in 1979 and is based on an earlier organ piece;

                So therefore an arrangement…,
                Lets ask Philip.....

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                • Braunschlag
                  Full Member
                  • Jul 2017
                  • 484

                  #23
                  And?

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                  • jayne lee wilson
                    Banned
                    • Jul 2011
                    • 10711

                    #24
                    Anyway, what an utterly apt and brilliant finale to the evening Samy Moussa's Globe Itself Infolding turned out to be....the sheer simplicity of the main ideas only enhanced its impact in the Great Hall, played and relayed with great power and clarity, releasing all the nervous energies we'd been building up through the evening's more contemplative passages....

                    Come back tomorrow for the next enthralling episode of Organ Finale Fireworks!
                    Last edited by jayne lee wilson; 06-09-21, 20:19.

                    Comment

                    • Eine Alpensinfonie
                      Host
                      • Nov 2010
                      • 20570

                      #25
                      Originally posted by Heldenleben View Post
                      The blurb quoted by EA doesn’t make clear the thematic thrust of the Programme?
                      I'm glad there are still people who can spell the word, and not confuse it with the algorithm.
                      Last edited by Eine Alpensinfonie; 06-09-21, 21:21.

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                      • Ein Heldenleben
                        Full Member
                        • Apr 2014
                        • 6788

                        #26
                        Originally posted by Eine Alpensinfonie View Post
                        I'm glad there are still people who can spell the word, and not confuse it with the algorithm. :pinkeye:
                        You mean they should get with the program?

                        Comment

                        • jayne lee wilson
                          Banned
                          • Jul 2011
                          • 10711

                          #27
                          Anyway (Part Two)......

                          Impressed and thrilled by the Moussa premiere, I wasn't always so happy with the orchestral sound tonight. The Missy Mazzoli piece sound orchestrally confused in busier passages, and hall atmospherics were loud tonight as well, so I wonder about tech/rehearsal difficulties in the setup for such a program.
                          Musically I wasn't sure the sequence worked terribly well; some of pieces seemed almost too slight to meaningfully contribute. But I wish I’d heard them without interruption as per Prom 22.

                          ****
                          The Marsh-Birds of Rautavaara seemed to come from carefully-placed sources across and just behind the orchestra in the first movement, the ShoreLark(s) from either side; spacious and evocative. But the Cranes’ dense cries seemed a little lost in the swirling instrumental mists…..

                          Lifelong Nature-lover who grew up near the Wirral Coast, I was among the rock pools at an early age, or venturing out to the distant low-tide edge; the gulls, terns and waders were familiar friends.
                          But I'm too far from the Sea to roam there easily now, so I was bound to respond to the birdcalls tonight, because I always do. I loved the Arcticus the moment I first heard it, and it often finds a tearful response. Pity about the poor Cranes though, migrating through the low cloud…

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                          • edashtav
                            Full Member
                            • Jul 2012
                            • 3670

                            #28
                            What a bran-tub of a programme with too much dross and too few goodies.

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                            • Eine Alpensinfonie
                              Host
                              • Nov 2010
                              • 20570

                              #29
                              Originally posted by edashtav View Post
                              What a bran-tub of a programme with too much dross and too few goodies.
                              That sums it up for me too, but clearly some liked it. It was a bit like a live In Tune mixtape.

                              Comment

                              • oddoneout
                                Full Member
                                • Nov 2015
                                • 9205

                                #30
                                Originally posted by Eine Alpensinfonie View Post
                                That sums it up for me too, but clearly some liked it. It was a bit like a live In Tune mixtape.
                                I did think that the middle items could have benefited from being played as a set, and possibly some of the other pieces run on without applause/comment. I missed the first part of the concert, which is annoying as I had wanted to hear what the Cantus articus sounds like live rather than carefully recorded.
                                Overall it falls into the "I heard it " category - glad I made the effort but nothing to stick in the memory or prompt follow-up for me. That isn't particularly a negative, as ever with this season it's a case of pleased that the Proms are happening at all, and subjectively the concerts have been of more interest and variety so I have listened (and more importantly perhaps, chosen to listen) to most of them, in contrast to recent years.

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