Good repertoire mix. Thx.
Prom 31 (28.08.21) - Bartók Roots
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Playing of remarkable intensity and brilliance in the Suite No.2, deeply idiomatic in its realisation of the dreamlike, the fantasy and the dance in Bartok’s folkloric inspirations. As with the Concerto in Part One you had the feeling that the music might swerve off in any direction, any time…
Perhaps the string-sound was a little fierce at high levels (which may well have been a deliberate orchestral effect from Dausgaard of course); but sound-balancing vividly conveyed the sheer vitality and character of this very successful Bartok concept-concert.
So yes - to soundbalancer Graham Taylor...
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Originally posted by jayne lee wilson View PostPlaying of remarkable intensity and brilliance in the Suite No.2, deeply idiomatic in its realisation of the dreamlike, the fantasy and the dance in Bartok’s folkloric inspirations. As with the Concerto in Part One you had the feeling that the music might swerve off in any direction, any time…
Perhaps the string-sound was a little fierce at high levels (which may well have been a deliberate orchestral effect from Dausgaard of course); but sound-balancing vividly conveyed the sheer vitality and character of this very successful Bartok concept-concert.
So yes - to soundbalancer Graham Taylor...
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Originally posted by Alison View PostThe BBC Scottish is truly the Bartok ensemble par excellence.
"Between heaven and earth, past and future, I sank for a moment into the Hungarian cosmos and sensed whispers, fragments and signs of living and immortal souls. From light and darkness, dream and wakefulness, music burst forth."
Patricia Kopatchinskaja
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Originally posted by richardfinegold View PostI have never liked this Concerto despite my general love for BB. This program was interesting but in the end despite the undoubted excellence of the performance I still find my attention wandering during the main course
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