On TV tomorrow, I look forward to seeing it in the hope that I finally see a performance by Josh Bell that I like.
Prom 28 (25.08.21) - Eight Seasons
Collapse
X
-
Originally posted by oddoneout View Postand I'm far from convinced that shutting the door on what went before is either necessary or desirable.
We've been over the pros and cons many times on this forum, but the point here is that listeners need not feel "guilty" about enjoying performances that duck current fashion. Guilt of that sort suggests the presence of a feeling that the listener is thinking "Was I wrong to take the HIPP route?"
I have multiple recordings of many works, some HIPP and others not. (It's just that most of the HIPP ones are in pristine condition. )
Comment
-
-
Originally posted by jayne lee wilson View PostThe ASMF recorded for a surprising number of different labels. At one time they were named as..... the Argo Chamber Orchestra....
I loved how Bell and his players switched so seamlessly between the musical styles, from Pastoral Romance to a cool latin mover, oil-painted meadows, clouds, storms and biting bitter winds to the swing of the hips, the swish of a dress and the click of the heels; wonderfully free and fluid phrasing in the Vivaldi, fresh as the Spring even under Summer Lightning…….
*****
So many wonderful chamber orchestras to listen to now, of all instrumental vintages.....and a surprising number of the Vivaldi/Piazzolla interspersal, either with accordion or the Desyatnikov Violin...
Its not what you do its the way that you do it
OR.....
De la musique avant toute chose,
Et pour cela préfère l'Impair
Plus vague et plus soluble dans l'air,
Sans rien en lui qui pèse ou qui pose.
(Baudelaire)
*****
Final vital word for the Radio 3 soundbalance..... they may only have 320 kbps aac to play with, but how utterly gorgeous it sounded last night, so precise, so warm and spacious; the band so very distinctive, the Hall an essential character in the sonic delights, recommending themselves nimbly and sweetly unto our gentle senses........
Comment
-
-
Originally posted by Eine Alpensinfonie View PostThe thing about "what went on before" it that however good the modern research is, our knowledge of performance practice in the 18th century is skimpy, to say the least. Assumptions are made, based upon snippets here and there, and modern interpreters sometimes pick out the bits they like.
We've been over the pros and cons many times on this forum, but the point here is that listeners need not feel "guilty" about enjoying performances that duck current fashion. Guilt of that sort suggests the presence of a feeling that the listener is thinking "Was I wrong to take the HIPP route?"
I have multiple recordings of many works, some HIPP and others not. (It's just that most of the HIPP ones are in pristine condition. )
Comment
-
-
Originally posted by cloughie View PostTurn off the auto then the gobbledegook lessens - it’s easier to correct your own trypos than rely on a computer that thinks it knows bette than you!
Comment
-
Comment