Proms Chamber Music 2 (27.07.20) Emmanuel Pahud & Eric Le Sage

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20575

    Proms Chamber Music 2 (27.07.20) Emmanuel Pahud & Eric Le Sage

    Martinů: Flute Sonata
    Dutilleux: Sonatine
    Prokofiev: Flute Sonata


    Emmanuel Pahud (flute)
    Eric Le Sage (piano)

    (From BBC Proms 2011, 22 August)

    Emmanuel Pahud – principal flute of the Berlin Philharmonic and a featured artist at the 2011 Proms – returned following a concerto appearance earlier the same Proms season for a recital of pieces composed in the 1940s.

    Martinů's amiable Sonata plumbs unexpected depths in its central core, while the Prokofiev Sonata's delightfully sunny nature makes it an ideal vehicle for the brilliant sparkle of the flute.

    In between comes the Sonatine by Dutilleux, here at his most pastoral and Debussyan, carrying the flag for the Paris Conservatoire tradition of commissioning new scores for its final examinations.

    Former BBC Radio 3 New Generation Artists the Apollon Musagète Quartet present the European premiere of the Fifth String Quartet by one of Britain’s foremost living composers, Colin Matthews. Commissioned for the 75th anniversary of the Tanglewood Festival in 2015, the piece remains the last work Matthews has written in the medium.

    Bookending the Quartet are Webern’s youthful Langsamer Satz – an ecstatic piece that showcases the composer’s formal skill within a lyrical idiom – and Beethoven’s String Quartet Op. 18 No. 3. Of Beethoven’s six Op. 18 quartets, No. 3 is both the lightest and the hardest to pin down: the scherzo is fleeting, and even the framing movements have an unusual delicacy and wistfulness about them.
    Last edited by Eine Alpensinfonie; 24-07-20, 09:26.
  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20575

    #2
    This concert is designated as being presented by Catherine Bott, so I'm presuming there's been no "takeover" by the current crop of presenters on this occasion.

    Comment

    • bluestateprommer
      Full Member
      • Nov 2010
      • 3019

      #3
      Originally posted by Eine Alpensinfonie View Post
      This concert is designated as being presented by Catherine Bott, so I'm presuming there's been no "takeover" by the current crop of presenters on this occasion.
      Except for Chris Berrow at the top of the hour and after the main event, indeed no 'takeover' of the past presenters. In the case of the Cadogan Hall PCM concerts, there really can't be, because Catherine Bott, at the time, and more recently Petroc, presented the concerts from the stage of Cadogan Hall, and do some interview banter with the artists whenever possible, such as CB with EP here. So there's no way to edit out the past presenters without serious intervention, which strikes me as not worth the effort. Plus, as Petrushka noted in the other thread, it does add to the atmosphere.

      9 years ago, I was the only commenter in the thread at the time, and this time looks to be a case of history repeating itself and not just rhyming. Giving it another listen, maybe there were some slightly heavy-footed passages from Eric Le Sage in the Prokofiev, but no harm done, and Emmanuel Pahud is excellent, as always. Coming on the heels of the Adam Walker/James Baillieu lockdown live recital from Wigmore Hall last month, this PCM is worth a revisit for flute fans.

      Comment

      • Alison
        Full Member
        • Nov 2010
        • 6470

        #4
        Good advocacy BSP, will take a listen sometime

        Comment

        • Serial_Apologist
          Full Member
          • Dec 2010
          • 37835

          #5
          I'd forgotten just how beautiful is the Dutilleux - the earliest of the works he was prepared to keep; more Ravel than Debussy, I would say.

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