Originally posted by ferneyhoughgeliebte
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Prom 12: National Youth Orchestra of Great Britain - 27.07.19
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Originally posted by jonfan View PostOh I think there was a huge one if you look at the post at #13. Perhaps he actually wasn’t up to the required standard.
NB.
(First movement of the Brahms Concerto including cadenzas as well as the Bach Chaconne!)
Please don't try to denigrate MY talent!
(Incidentally, one of the rather sneering auditioners was booted from his front desk duties due to alcohol problems. Guess who got his job eight years later..?)Last edited by pastoralguy; 31-07-19, 20:21.
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The first time I played Prokofiev's 'Romeo and Juliet was with an orchestra who had toured and recorded it. I was expected to play to the same standard as my colleagues despite virtually sight reading it. (Live on the radio, if you please!) As opposed to having three weeks to play it over and over and over and over... That's what I mean by a REAL Orchestra instead of it being a jolly...
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Originally posted by pastoralguy View PostAnd you jumped on ME for having an opinion in #14...
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Originally posted by jonfan View PostThe opinion that NYO was mainly recruited from private schools as suggested in #13. Of course a professional and a teenage orchestra are both REAL orchestras. Still not sure why your post tails off in #79.
As for tailing off in #79, that's what Claudio used to do in rehearsals... (Have you ever played under Abbado, Bernstein, Tennstedt, Masur, Haitink...? Or am I tailing off again?)
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Originally posted by pastoralguy View PostWell, I didn't have distinction Grade 8 but I did have my Guildhall Performer's Diploma...
(First movement of the Brahms Concerto including cadenzas as well as the Bach Chaconne!)
Please don't try to denigrate MY talent!
(Incidentally, one of the rather sneering auditioners was booted from his front desk duties due to alcohol problems. Guess who got his job eight years later..?)
But I now imagine the conductor and soloists queue for your autograph ...
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Originally posted by pastoralguy View PostWell it was in the dark recesses of the 1980's.
As for tailing off in #79, that's what Claudio used to do in rehearsals... (Have you ever played under Abbado, Bernstein, Tennstedt, Masur, Haitink...? Or am I tailing off again?)
For my part, one or two moments of questionable intonation aside it was a rousing and poetic performance. As for R&J, jaw dropping virtuosity in the fight scene and death of Tybalt.
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Originally posted by Zucchini View PostI think it's you who likes to visit the Green Room after concerts and had assumed that like a little boy you hunt for autographs.
But I now imagine the conductor and soloists queue for your autograph ...
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