Originally posted by jonfan
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Prom 12: National Youth Orchestra of Great Britain - 27.07.19
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Originally posted by pastoralguy View PostI don't usually listen to the NYO concerts since I was constantly turned down by the audition committee in favour of friends who I knew weren't as accomplished as I was. However, they did go to fee paying schools whereas I went to bog roll comp...
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Originally posted by jonfan View PostSweeping statement that’s not true. My pupil was a principal of her section last year and she went to a bog standard comp, as your are so obviously proud to call it; and she wasn’t the only one.
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Aside from agreeing with some of the very fair points made about the demographic of the NYOGB, I've got to say that I loved pretty much every minute of what I heard tonight. I missed the new piece but the Tchaik and Prokofiev had so many of the best features of the NYO –tremendous verve and enthusiasm, absolute commitment and some really vibrant playing. I can't wait to hear it all again on the telly tomorrow night. Benedetti at her high-risk best, and I thought Wigglesworth (of whom I am by no means a constant fan) did a phenomenal job bringing the best out of his young players. It's always inspiring to hear this orchestra when they're on top form.
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Originally posted by jonfan View PostSweeping statement that’s not true. My pupil was a principal of her section last year and she went to a bog standard comp, as your are so obviously proud to call it; and she wasn’t the only one.
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Originally posted by Darkbloom View PostIt didn't sound like a sweeping statement, just someone's experience. And saying that 'she wasn't the only one' does rather imply that she may have been in a small minority, doesn't it?[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Although it was a long time ago, I can remember feeling very disheartened by the whole experience. Of course, this was a time when the application form would ask about your father's employment status! There did seem to be a bias in terms of who your teacher was and that was commented at in one of my auditions. ('Who did you say you teacher was? I've never heard of this person'). My cheap fiddle was commented on as well!
Anyway, what it DID do was to give me the determination to practice 5 hours a day EVERY day until I started to get dep. work with various professional organisations in Scotland where no one cared what your background was. The important thing was could you play the right notes in the right order in the correct place. (And keep your mouth SHUT!)
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Well, from up in the gallery I thought the R&J was distinctly mixed: it sounded quite muddy in parts, plus at times the orchestra didn't seem entirely in unison. I'll be interested to see how the recording comes out. It seemed to settle down about halfway through the balcony scene, to my mind. Also, I thought the programming was all over the place: I kept wondering what the logic was in switching from B to Q to F, say, because I couldn't see that there was any. It was quite dizzy-making leaping from one act to another and back again!
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Originally posted by edashtav View PostI take your point, bsp, about the unwieldy number of movements... but they would have kept Katie Derham "on message".
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