Originally posted by bluestateprommer
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Prom 34: West–Eastern Divan Orchestra - 12.08.19
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Originally posted by Sir Velo View PostNevertheless, pretty remarkable digital dexterity from a septuagenarian I would say! Overall, not the greatest Tchaikovsky PC1 (partly down to the lacklustre accompaniment as if Barenboim and his band were going through the motions) but the fact that at her age she is still willing to take on the challenge of this distinctly leonine concerto is a testament to her phenomenal powers.
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Originally posted by gedsmk View PostFrom the scowls towards the keyboard it seemed that things were rather amiss. Still plenty of reminders of glories of yesteryear. Not at all a performance for the ages, but a moving farewell to a great magician of music. The lack of coordination with the orchestra made me wonder if they had actually taken the rehearsal seriously? I’ll be surprised if she comes back.
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Originally posted by Sir Velo View PostTo be fair, listening again this morning, she had little more than about a minute to introduce the work before Barenboim made his on stage entrance. In the short space of time allotted to her I think she probably did as well as could be expected. Clearly a lot more could have been said, but she was not given the opportunity.
(BTW, the Jade Goody documentary running on C4 is pretty fascinating too...as a study of aspects of UK culture in the 21st C....)
Anyway do seek out the devastating CMW/Gottfried (Aparté) recording of the Samale/Cohrs Completion of the D759 Symphony. It really does change the game!
Last edited by jayne lee wilson; 13-08-19, 13:20.
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Originally posted by jayne lee wilson View PostIs it too obvious to suggest leaving the level low until you hear applause for leader/conductor etc...?
Then at least you wouldn't have to miss the music... (this is, believe it or not, usually the best bit...)..
Babies, bathwater, etc....“Music is the best means we have of digesting time." — Igor Stravinsky
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Originally posted by Edgy 2 View PostRemember when we didn’t have to do this because we were excited about the whole experience,including the presentation,of listening to a much anticipated prom,70s,80s and 90s ?
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Originally posted by Edgy 2 View PostRemember when we didn’t have to do this because we were excited about the whole experience,including the presentation,of listening to a much anticipated prom,70s,80s and 90s ?
But I think I got into the habit of waiting for the welcoming applause a long time ago....probably because I was a home taping obsessive, and usually timed hitting RECORD for the brief silence between such applause and musical commencement....
I liked to have the back-announcement and applause on the tape though... and I always enjoyed a personal response to the music from the presenter too...
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Originally posted by zola View PostThere is no sinister ulterior motive to this question, just a genuine curiosity. Does anyone know why this orchestra now automatically gets a prom every year ?
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Originally posted by Darkbloom View PostProbably a combination of factors. Their touring schedule matches up with the Proms. The WED has a 'buzz' about it that sets it apart from other orchestras (rightly or wrongly). And Barenboim is a draw for many people. I can't recall an occasion when the RAH hasn't been packed for their concerts. They must have developed a strong relationship with the Proms some time ago because I can't recall an entire Beethoven cycle being given to one orchestra before.
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Originally posted by zola View PostThere is no sinister ulterior motive to this question, just a genuine curiosity. Does anyone know why this orchestra now automatically gets a prom every year ?
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Originally posted by kernelbogey View PostI would assume that those who make the decisions about artists to be booked consider the existence of this orchestra to be symbolically a Good Thing, and worth supporting for that reason.
Also, Martha Argerich is 78 (yes, seventy eight) years oldShe has faced and overcome more than her fair share of health issues in her lifetime
How many women do you know who could still perform with that intensity, and face an audience of critics, at that age? How do you suppose that feels? To me, she is an unqualified inspiration for the rest of us
OK, so she made a few mistakes, and maybe she was rushing ahead of the orchestra in a couple of places, but so what. I've heard worse. You’d better get used to the idea of older women soloists playing the big concertos at big festivals because there’s going to be an awful lot more of them in the future as life expectancy for younger generations of performers increases. I look forward to seeing her again.
And the tune ends too soon for us all
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Not forgetting the influence of Barenboim himself. He must exert the power of a latter-day Karajan in the musical world these days and I doubt there are many around who are going to refuse him. I'm sure organisers have to be aware that if they upset him they are likely to risk upsetting other artists on Team Barenboim.
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