Proms at … Holy Sepulchre London - 17.08.19

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20576

    Proms at … Holy Sepulchre London - 17.08.19

    15:00 Saturday 17 August 2019
    Holy Sepulchre London

    William Walton: Where does the uttered music go?
    Benjamin Britten: Sacred and Profane
    John Ireland: The Holy Boy
    Thea Musgrave: Rorate coeli
    Elizabeth Maconchy: Three Donne Songs – No. 1: A Hymn to God the Father
    Ralph Vaughan Williams: Valiant-for-truth
    Judith Weir: Missa del Cid
    Joanna Lee: At this man’s hand
    (BBC commission: world première)

    BBC Singers
    Sofi Jeannin conductor


    The BBC Singers and Chief Conductor Sofi Jeannin take the Proms to the ‘Musicians’ Church’, Holy Sepulchre London (aka St Sepulchure-without-Newgate), where Proms founder-conductor Henry Wood first learnt the organ and was later laid to rest.
    This varied conspectus of 20th-century English choral music opens with the setting of lines by the then Poet Laureate, John Masefield, that Walton composed for the unveiling of the church’s Henry Wood memorial window in 1946, and is brought up to date with a new commission by Joanna Lee, At this man’s hand, setting the verse by Masefield that is inscribed on the window itself.
    Last edited by Eine Alpensinfonie; 11-08-19, 10:06.
  • bluestateprommer
    Full Member
    • Nov 2010
    • 3024

    #2
    For those looking for an all-British Prom this summer, this is the one for you. The BBC Singers did a generally good job, one overtly squally passage from, I think, a solo female singer aside. One late addition to the program was Twilight by Helena Paish, a winner in this year's Upper Junior Category in the Proms Inspire Competition for young composers, in its world premiere, after the RVW and before the Judith Weir. Unfortunately, HP took ill and was unable to attend this concert, per brief comments from Ian Skelly (who also gets positive points for his presentation style, admittedly from the stage and not behind a presenter's box, except at the very end). Given that HP is 15 or 16, her work is OK, not earth-shattering, but again, she's a teenager. Joanna Lee's new commission was likewise OK. I probably should give those two works, at least, another listen.

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