I thought, too late: I forgot to mention this Prom on my weekly "column" forthcoming jazz to be broadcast. Now I'm wondering. Cloughie is right - Cassandra Wilson probably comes closest in spirit and tone of voice to Simone. Maybe she should have been called over to do last night's concert? Or "our own", Christine Tobin, the Irish-born singer, (), now resident Stateside, sadly.
Prom 45: Mississippi Goddam: A Homage to Nina Simone - 21.08.19
Collapse
X
-
Originally posted by Padraig View PostI heard a small bit of the programme and was disappointed with the singing. Cloughie has said it all - any CD will do to bear out his praise. Nina Simone could express every emotion from tenderness to rage, and it is wonderful to hear her so doing, and to empathise. I always return to one song - not necessarily her best - because it shows her in action with other like musicians in a standard number - For All We Know. Piano guitar and bass become a quartet, and this song a chorale.
I regret that the sound is poor, but there is a version on the Blues CD.
Many thanks, Padraig!
Comment
-
-
I love Nina Simone and know about 40 of her tracks really well. I like female jazz singers in general and have a very large collection on CD. In fact this is by far the jazz I play most and love as much as the female lieder artists by whom I have many many more tracks. I love listening to what singers have to offer and song recitals are my favourite concerts. I would not often choose to switch them off and tune to old ITV3 Agatha Christie repeats in preference. I did not like everything about this concert and preferred the vocalising to the background arrangements but stuck with it and mostly enjoyed it. Clearly, not everyone on here feels the same way - fair enough - but in attempting to be scathing in condemnation ("crossover travesty" ) one could at least do so in accurate terms. I tend to intensely dislike crossover, which I understand to be an artist moving across into a style, genre or repertoire with which they are not customarily associated, eg classical singers like Jonas Kaufmann or Bryn Terfel doing show tune albums at the behest of their recording company. One is obviously entitled not to like this Prom but the artists in this Prom were just doing what they do and not moving across.
I see Ivan Hewitt gave five stars in the Telegraph.
Comment
-
-
Originally posted by Heldenleben View PostA Nina Simone tribute concert is a bit like a Maria Callas tribute concert . Without the presence , the talent and the voice ...what’s left ?
Exhibit one Dido’s Lament as sung last night...
Comment
-
-
Originally posted by gurnemanz View PostI love Nina Simone and know about 40 of her tracks really well. I like female jazz singers in general and have a very large collection on CD. In fact this is by far the jazz I play most and love as much as the female lieder artists by whom I have many many more tracks. I love listening to what singers have to offer and song recitals are my favourite concerts. I would not often choose to switch them off and tune to old ITV3 Agatha Christie repeats in preference. I did not like everything about this concert and preferred the vocalising to the background arrangements but stuck with it and mostly enjoyed it. Clearly, not everyone on here feels the same way - fair enough - but in attempting to be scathing in condemnation ("crossover travesty" ) one could at least do so in accurate terms. I tend to intensely dislike crossover, which I understand to be an artist moving across into a style, genre or repertoire with which they are not customarily associated, eg classical singers like Jonas Kaufmann or Bryn Terfel doing show tune albums at the behest of their recording company. One is obviously entitled not to like this Prom but the artists in this Prom were just doing what they do and not moving across.
I see Ivan Hewitt gave five stars in the Telegraph.
Comment
-
-
Originally posted by Master Jacques View PostThey certainly have no place whatsoever in BBC subsidised Proms. Populist commercial ventures ought to be paid for by commercial managements, in my opinion.
Comment
-
-
Originally posted by Master Jacques View PostThey certainly have no place whatsoever in BBC subsidised Proms. Populist commercial ventures ought to be paid for by commercial managements, in my opinion.
Time to ditch the 'tribute' bands that have infested the Proms
though i'm not sure that my friends in the OAE would agree
Comment
-
-
Originally posted by burning dog View PostThere isn't a Nina Simone "tribute band" is there? I didn't listen to the concert. Wouldn't have thought it would be much of a commercial venture, certainly not like the Bootleg Beatles.
Comment
-
-
Originally posted by MrGongGong View PostSpot on
Time to ditch the 'tribute' bands that have infested the Proms
though i'm not sure that my friends in the OAE would agree
Comment
-
-
Originally posted by cloughie View Post
Pink Floyd Experience
Guns Or Roses
Left Zep
Roy Orbison & Traveling Wilburys Exp.
Ultimate Buble
The Rod Stewart Story
Arrival: The Hits of Abba
Marshall King and His Band - 'Elvis'
The Jive Aces
Bon Jovi Exp.
Soultown USA
Voice of Orbison
One Moment in Time (Whitney Tribute)
Chicago Blue Bros
Tina Turner Exp.
Johnny Cash Exp.
(To be fair: 27th September - Russian National Ballet: Swan Lake, and I mustn't forget 29th January - 'Sinderella (18+)
Comment
-
-
Originally posted by LMcD View PostUpcoming 'attractions' at our local theatre (which we would support if it ever put on anything of interest) include:
Pink Floyd Experience
Guns Or Roses
Left Zep
Roy Orbison & Traveling Wilburys Exp.
Ultimate Buble
The Rod Stewart Story
Arrival: The Hits of Abba
Marshall King and His Band - 'Elvis'
The Jive Aces
Bon Jovi Exp.
Soultown USA
Voice of Orbison
One Moment in Time (Whitney Tribute)
Chicago Blue Bros
Tina Turner Exp.
Johnny Cash Exp.
(To be fair: 27th September - Russian National Ballet: Swan Lake, and I mustn't forget 29th January - 'Sinderella (18+)
Comment
-
Comment