Prom 53: Elgar’s The Music Makers - 29.08.19

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20576

    Prom 53: Elgar’s The Music Makers - 29.08.19

    19:00 Thursday 29 August 2019
    Royal Albert Hall

    Ralph Vaughan Williams: Fantasia on a Theme by Thomas Tallis
    Hugh Wood: Scenes from Comus
    Edward Elgar: The Music Makers


    Stacey Tappan soprano
    Dame Sarah Connolly mezzo-soprano
    Anthony Gregory tenor
    BBC Symphony Chorus
    BBC Symphony Orchestra
    Sir Andrew Davis conductor


    Sir Andrew Davis conducts the BBC Symphony Orchestra and Chorus and mezzo-soprano Dame Sarah Connolly in Elgar’s last great choral work.

    The Music Makers is the musical culmination of a career, drawing together quotations from many of the composer’s best-loved pieces, including the ‘Enigma’ Variations and Sea Pictures, and weaving them into a musical manifesto for the power of art.

    The concert also includes Vaughan Williams’s luminous Fantasia on a Theme by Thomas Tallis for double string orchestra and Hugh Wood’s lyrical setting of scenes from Milton’s pastoral masque Comus.
    Last edited by Eine Alpensinfonie; 23-08-19, 08:45.
  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20576

    #2
    Clearly the BBC blurb-padder hasn't heard of Elgar's The Spirit of England.

    Comment

    • MrGongGong
      Full Member
      • Nov 2010
      • 18357

      #3
      More tribute bands

      Comment

      • gradus
        Full Member
        • Nov 2010
        • 5637

        #4
        Thanks for the reminder about this concert which I'd overlooked.

        Comment

        • mrbouffant
          Full Member
          • Aug 2011
          • 207

          #5
          A jolly good Prom indeed.

          Comment

          • gedsmk
            Full Member
            • Dec 2010
            • 203

            #6
            Originally posted by mrbouffant View Post
            A jolly good Prom indeed.
            Stunning sound and performance quality in the VW/Tallis. Rapt silence at the end. Loved it!

            Comment

            • Petrushka
              Full Member
              • Nov 2010
              • 12369

              #7
              Originally posted by mrbouffant View Post
              A jolly good Prom indeed.
              Indeed it was and I'd second the comments from gedsmk on the excellent sound quality. I was present at a 1979 Prom performance of Scenes from Comus and it's a very fine work that deserves many more performances.
              Last edited by Petrushka; 30-08-19, 20:17.
              "The sound is the handwriting of the conductor" - Bernard Haitink

              Comment

              • gradus
                Full Member
                • Nov 2010
                • 5637

                #8
                Originally posted by Petrushka View Post
                Indeed it was and I'd second the comments from gradus on the excellent sound quality. I was present at a 1979 Prom performance of Scenes from Comus and it's a very fine work that deserves many more performances.
                'Twas another G, not I.

                Comment

                • Petrushka
                  Full Member
                  • Nov 2010
                  • 12369

                  #9
                  Originally posted by gradus View Post
                  'Twas another G, not I.
                  Apologies, wasn't properly awake. Now amended.
                  "The sound is the handwriting of the conductor" - Bernard Haitink

                  Comment

                  • bluestateprommer
                    Full Member
                    • Nov 2010
                    • 3024

                    #10
                    Caught up with this all-British Prom just in time, as with others from the same week. Agree with gedsmk & Petrushka on its quality. Great that Hugh Wood was present to take a bow, 54 years on from the Proms premiere, even if it sounded as though he didn't walk down the stairs to center stage. Even though I've heard Scenes from Comus on CD before (it's been a while), hearing the Messiaen influences hit me fresh with this hearing.

                    It was a bit curious to hear Hannah French, in the very good interval discussion with Kate Kennedy and Jordan Kistler, ask them rather 'leading' questions in an attempt to buff up the quality of Elgar's The Music Makers, to try to make it out to be a better work than it is, e.g. with a comparison to Richard Strauss and Ein Heldenleben. This was my first time hearing TMM in any form, and in all honesty, the leading questions didn't succeed in their purpose. Nothing in TMM around Elgar's self-quotations is anywhere near as good or memorable as the musical quotes themselves (which cannot be said of Ein Heldenleben, whatever one thinks aesthetically of EH overall), IMHO. But Sir Andrew, Dame Sarah (good that she's back at The Proms after her medical scare earlier this year, where the audience seemed to give her an especially warm welcome), the BBC SO and BBC SC did their best for it.

                    Comment

                    • BBMmk2
                      Late Member
                      • Nov 2010
                      • 20908

                      #11
                      I’m surprised this has t been talked about more. What a wonderful Prom this was. Pity not more like it.
                      Don’t cry for me
                      I go where music was born

                      J S Bach 1685-1750

                      Comment

                      • Maclintick
                        Full Member
                        • Jan 2012
                        • 1085

                        #12
                        Originally posted by Eine Alpensinfonie View Post
                        Clearly the BBC blurb-padder hasn't heard of Elgar's The Spirit of England.
                        Equally clearly it depends on one's assessment of The Spirit of England as a "great" work -- make of that what you will..

                        Comment

                        • LeMartinPecheur
                          Full Member
                          • Apr 2007
                          • 4717

                          #13
                          Originally posted by Maclintick View Post
                          Equally clearly it depends on one's assessment of The Spirit of England as a "great" work -- make of that what you will..
                          Oddly enough, the Launceston Choral Soc, slightly assisted by yours truly amid the 2nd basses, is currently working on The Music Makers and The Spirit of England. Early impressions of the latter are that, whatever the merits of Sir Edward's music, they have a tough task surmounting the horrors of much of Binyon's verse. And the text of TMM is pretty dire in parts too! IMHO of course.
                          I keep hitting the Escape key, but I'm still here!

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