Brilliant, Keraulophone!
Prom 68: Berlin Philharmonic & Kirill Petrenko (II) – 2.09.18
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Originally posted by Keraulophone View Post"The sound is the handwriting of the conductor" - Bernard Haitink
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Just caught up with this. A wonderful, super-detailed Don Juan, an absolutely single-minded trajectory from first note to last. I often think back to my first experiences getting to know the Strauss tone poems and wonder why they no longer excite me as they did - and then a performance like this comes along! Death and Transfiguration was slightly less compelling - more Toscanini (the early 1940s Philadelphia performance) than Karajan in its forward drive. Hearing the Beethoven just now was like hearing it for the first time. I don't think I could take it like this every time I heard it but it was pretty unforgettable, especially (as everyone, almost) is saying, the finale. But, for me the most revealing thing was realising how much of the finale of Berlioz's Symphonie fantastique is a reworking of the 1st mt of Beethoven 7. The pp diminished 7th in the upper strings with creepy cellos and basses, and so much else - Hector must have studied this score closely!
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Originally posted by Darkbloom View PostIf I get a seat I usually end up regretting it, no matter where it is.
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In the Philharmonie on 24 August 2018:
In a way, this concert looks ahead to a new era. One year before Kirill Petrenko took up his post as the Berliner Philharmoniker’s new chief conductor, he conducted the opening concert of the 2018/19 season. At the same time, he presented his interpretation of core works of the Philharmoniker’s repertoire: Beethoven’s Seventh Symphony and Richard Strauss’s tone poems Don Juan and Tod und Verklärung. “What was revealed in this great moment was more than the magic of a beginning. This union will bring forth great things” (Die Zeit).
In the rain outside the Berlin Palace on 25 August 2018:
A special concert at a special location: the Berliner Philharmoniker and Kirill Petrenko, their chief conductor designate, perform Beethoven’s Seventh Symphony and tone poems by Richard Strauss in the reconstructed Berlin Palace. The building, which was badly damaged during the Second World War and demolished in 1950, does not reopen until 2019, so this open-air concert in the splendid Baroque Schlüterhof allows us a first glimpse.
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There's a 3-minute excerpt of Elgar's 2nd on YouTube with the BPO and KP which is just a brief taster for an absolutely marvellous reading of the whole work. I do hope they bring it to London sometime soon ...
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