Originally posted by teamsaint
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Prom 36: Mahler, Wagner and Webern – 9.08.18
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Originally posted by teamsaint View PostI know the power of the maas media only too well S-A, from my working life, and how its absence can hamper.
But we can’t wait around, and must do what ( little) we can. From small things big things one day come, as Springsteen said.
My worry is that we are losing what was won, and, I thought, secure.
Pushing that stone back up the hill, gets more difficult as believers age and become frail.
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As an example, Chary Nurymov’s music, in the public sphere, seems to be disappearing before our eyes. But a few good people are keeping it alive, such as the Atrium Quartet,Richard Crabtree from Trinity Laban, hopefully Kiril Karabits who knew him as a young man.
It is an uphill struggle, as Ed suggests, but all is not lost. Things come and go, are cyclical, generational.
Anyway, off topic, but there is RC keeping the flame alive.
I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by Darkbloom View PostI'm looking forward to listening to this later. I think the Phlharmonia have brought out the best in Salonen, who previously struck me a rather a chilly conductor. His performances with the LA Phil often sounded sterile and disengaged to me. It seems that there's only so much attention to go go round, though, and his achievements haven't quite got the recognition they deserve among the London orchestras. I think people will look back in years to come and speak about his tenure in the same way they talk about Klemperer's.
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Originally posted by jayne lee wilson View PostDid you ever hear his excellent Lutosławski Symphonies, or the Arvo Pärt 4th, with the LAPO? Warmth to spare on the latter (the Live premiere), it's a gorgeous record.
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VodkaDilc
Originally posted by jayne lee wilson View PostThose Wagner Tubas when Hunding entered were quite something weren't they? I couldn't wait for each reappearance. Something of a 2018 Proms highlight in themselves (and there have been many)....
The full review is here:
Esa-Pekka Salonen didn’t bring out the composer’s full might — but the Albert Hall is an ideal venue for Wagner
Evidence perhaps that this reviewer was in a different part of the hall, so heard things with a different balance. Or perhaps another case of different people having different opinions. I am old enough and confident enough to believe that my view is just as valid as someone who gets paid to express his opinions in a daily newspaper.
As an afterthought, I have just noticed the heading on the review page. Does someone (sub-editor?) have the impression that the "Valkryies" appear in Act 1? The factual error and the spelling will surely be corrected soon - at least before it goes to print.
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Originally posted by VodkaDilc View PostProof below that we all hear things differently: "Franz-Josef Selig was an imposing Hagen, belying the rather puny announcement of his arrival by the brass".
The full review is here:
Esa-Pekka Salonen didn’t bring out the composer’s full might — but the Albert Hall is an ideal venue for Wagner
Evidence perhaps that this reviewer was in a different part of the hall, so heard things with a different balance. Or perhaps another case of different people having different opinions. I am old enough and confident enough to believe that my view is just as valid as someone who gets paid to express his opinions in a daily newspaper.
As an afterthought, I have just noticed the heading on the review page. Does someone (sub-editor?) have the impression that the "Valkryies" appear in Act 1? The factual error and the spelling will surely be corrected soon - at least before it goes to print.
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[QUOTE=VodkaDilc;692248]Proof below that we all hear things differently: "Franz-Josef Selig was an imposing Hagen, belying the rather puny announcement of his arrival by the brass".
/QUOTE]
An imposing Hagen! That egregious bloomer rather invalidates anything else they have to say.
Salonen had quite a flexible way with Act 1, pushing things along at times and then allowing the music to breathe. There were a few brass fluffs towards the end but the quality of the strings was excellent, with the basses providing plenty of oomph.
Maybe it's just me, but Robert Dean Smith sounded uncannily like James King.
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Originally posted by Beef Oven! View PostBovine immediacy - WTF?
http://www.newhot5.com. The New Hot 5, American-based jazz band plays for a herd of cows in Autrans, France. The unedited footage is now uploaded on our chan...
We humans can be wonderful animals when we try, sometimes, can't we?
(Short break, Back for the ASMF, I guess...)Last edited by jayne lee wilson; 11-08-18, 00:26.
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Originally posted by jayne lee wilson View PostSomething like this, perhaps....
http://www.newhot5.com. The New Hot 5, American-based jazz band plays for a herd of cows in Autrans, France. The unedited footage is now uploaded on our chan...
We humans can be wonderful animals when we try, sometimes, can't we?
(Short break, Back for the ASMF, I guess...)
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