Originally posted by MrGongGong
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He makes a decent comment about the lack of representation from working-class and other under-represented social groups, but this is only to skim over them to (as he sees it) demonstrate how ridiculous "quota systems" are in principle. The rest is merely a riff on his flawed central premise:
The quota-based approach to music festivals will inevitably mean that quality begins to take a secondary role. Those who argue in favour of quotas shy away from this obvious side-effect of their policy which ultimately places group identity above all else.
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