Originally posted by Eine Alpensinfonie
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Proms 2018
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Originally posted by oddoneout View PostThis was the quote this morning from a Guardian letter to which I took exception , as I think it is just plain wrong in its generalisation. Possibly it reflects the kind of music the writer favours, but as a view it does seem to display a lack of awareness of the different kinds of music and the purposes for which it is written and to which it is put.
I was puzzled by the implied criticism of those who sit still while listening; it can be an indication of intense concentration, but another consideration is that when sitting close to others isn't it simply good manners not to fidget(as it might be interpreted)? There are occasions when movement as a response to music is reasonable and desirable(and what happens in one's own home when listening to music is nobody else's business...), but not necessarily for the standard 'classical' concert?
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Originally posted by french frank View PostPunk very much approved of by today's Radio 3. And I daresay those who don't approve will say they do
The sort of thing that ends up with the Stranglers at the Proms backed by a Symphony orchestra.
AaaaaarrrrggghhhI will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by oddoneout View PostThis was the quote this morning from a Guardian letter to which I took exception , as I think it is just plain wrong in its generalisation.
* = I had to double-check that spelling - I'm doing the Butterfly Count at the moment.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View Post* = I had to double-check that spelling - I'm doing the Butterfly Count at the moment.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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FWIW, here in the USA, the Public Radio International program SymphonyCast chooses a set of Proms each summer for delayed relay to us benighted Yanks. It's usually around 10 or so Proms, and SymphonyCast pretty much always includes the First Night and the Last Night, which clearly places strong limitations on what can be chosen in between. So far, these are the Proms aired or just about to be aired for 2018 relay:
1. The First Night
2. Prom 2 (RPO, Altinoglu)
3. Prom 4 (BBC Phil, Mena, Mark Simpson)
4. Prom 12 (BBC SO, Canellakis)
And looking ahead:
5. Prom 15 (BBC Phil, Gernon)
6. Prom 31 (Minnesota Orchestra)
7. Prom 50 (ASMF, Bell)
8. Prom 60 (Baltimore SO, Alsop)
9. Prom 65 (BBC SO, Bychkov)
10. The Last Night
Most of the "middle" choices don't surprise me, given that the US public radio classical types don't want to rock the boat or "disturb" audiences too much. For example, even before I found it, my guess was that after the KC/BBC SO Prom, the BBC Phil Prom with Ben Gernon and Paul Lewis was a pretty safe bet. The counter-argument would be that it's nice that the choices do include modern works by Anna Meredith, Magnus Lindberg, Andrew Norman, Tansy Davies, and Roxanna Panufnik. Whatever one may think of those works, at least they are present.
On the "nationalism" side, the choices of the two Proms with American orchestras are understandable, as well as the Karina Canellakis- (which helps to solidify her place as the female conductor of the moment, perhaps, which gives MG-T a break from that spotlight) and Joshua Bell-led Proms, again given the American factor.
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The rules about how long you need to be actually in the queue seem to have been relaxed in the last year or two.
The advance online tickets don’t seem to be causing the non controversy that they did’t cause last year.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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