19:30 Friday 8 September 2017
Royal Albert Hall
Johannes Brahms: Variations on the St Anthony Chorale
Wolfgang Amadeus Mozart: Piano Concerto No 14 in E flat major, K449
Ludwig van Beethoven: Symphony No 7 in A major
Emanuel Ax piano
Vienna Philharmonic Orchestra
Michael Tilson Thomas conductor
Michael Tilson Thomas and pianist Emanuel Ax join the Vienna Philharmonic for the orchestra's second concert this season - a programme filled with song and dance.
Wagner famously described Beethoven's Symphony No. 7 as 'the apotheosis of the dance', and it's hard to hear the breathless Scherzo or exuberant finale without becoming swept up in the work's restless energy.
That energy also invigorates Brahms's Variations, taking a theme once thought to be by Haydn and transforming it by turns into a graceful sicilienne and a swaying, syncopated dance.
For Mozart it is song that offers the inspiration for his dramatic Piano Concerto No. 14, with its arching melodies and almost operatic musical dialogues between soloist and orchestra.
Royal Albert Hall
Johannes Brahms: Variations on the St Anthony Chorale
Wolfgang Amadeus Mozart: Piano Concerto No 14 in E flat major, K449
Ludwig van Beethoven: Symphony No 7 in A major
Emanuel Ax piano
Vienna Philharmonic Orchestra
Michael Tilson Thomas conductor
Michael Tilson Thomas and pianist Emanuel Ax join the Vienna Philharmonic for the orchestra's second concert this season - a programme filled with song and dance.
Wagner famously described Beethoven's Symphony No. 7 as 'the apotheosis of the dance', and it's hard to hear the breathless Scherzo or exuberant finale without becoming swept up in the work's restless energy.
That energy also invigorates Brahms's Variations, taking a theme once thought to be by Haydn and transforming it by turns into a graceful sicilienne and a swaying, syncopated dance.
For Mozart it is song that offers the inspiration for his dramatic Piano Concerto No. 14, with its arching melodies and almost operatic musical dialogues between soloist and orchestra.
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