If we're going to drag Night on a Bald Mountain into the argument, the composer's own orchestration is an early effort that possibly deserves its neglect. R-K didn't orchestrate this, so a comparison is futile. His version was an orchestral transcription of similar music in Sorochyntsi Fair, but was given a misleading label.
Prom 16 - 26.07.17: Mussorgsky – Pictures at an Exhibition
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Richard Tarleton
Originally posted by ferneyhoughgeliebte View PostRavel is a superb orchestrator - and I would be very interested in hearing his arrangement(s) of Khovanschina - which is why his substandard effort with the Pictures can only be an intentional satire, pointing out the stupidity of the very idea of altering the piano original. If it did bring greater to attention to a work not previously as well-known, then it has served its purpose ........ and it's time to let the originality of the original take its place and to honour both Ravel and Musorgsky by putting the orchestrations to rest; they bring credit to nobody.
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The original version I have (coupled with the [Ravel] orchestrated version: Rotterdam Phil/De Waart) is played by Misha Dichter.
Buy Pictures at an Exhibition - Orchestral & Piano Versions by Modest Mussorgsky - Misha Dichter Original Piano Version / Edo de Waart Orchestral Version, Rotterd from Amazon's Classical Music Store. Everyday low prices and free delivery on eligible orders.
I have no idea why I bought that particular version (i.e., if it was recommended or I just spotted it and bought it).
Anyone know it?
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Originally posted by Eine Alpensinfonie View PostWell, there are plenty more to choose from:
Mikhail Tushmalov ...
...Peter Breiner
The Ballet of the Chicks was recenlty played on R3 by Rob Cowan and is rather entertaining...
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Originally posted by Boilk View Post
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Originally posted by edashtav View PostThe BBCSSO were on top form tonight under Volkov. Mussorgsky's Pictures at an Exhibition were wonderfully characterised and the orchestra made a strong case for Ravel's orchestration. The concert as a whole could have been subtitled "Orchestral Pictures" and it was good to hear both Liszt pieces being played with conviction and colour. Julian Anderson's curious Piano Concerto with its echoes of other composer's travel suites was full of brilliance and wit, and the performance had none of the timidity that can blunt the impact of works receiving their world premiere. I remain worried that at heart Julian is a miniaturist, a latter day Liadov, but, like Ravel, his works are finely engineered without the French composer's originality. Full marks to the sound engineers for creating a marvellous sound stage on R.3, curiously, I found it much better than that created for the RVW / Holst concert last evening.
After reading the comments, my impression of IV's take on Pictures was that it wasn't as hard-driven as I was expecting from the comments. The one place where things threatened to get slightly out of hand was "Samuel Goldenberg and Schmuÿle", where the trumpeter missed some of the articulation, perhaps understandable and the end of the evening. (No problem with the Promenade, though.)
Full-blooded orchestral sound in the two "FLiszt" (to misquote Victor Borge) works, and fine work from SO and company in the new Julian Anderson work. I'd also like to transpose edashtav's words of praise for Kate Molleson as host from the previous night's BBC SSO Prom into this Prom as well, in terms of her quality of presentation manner.
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