Originally posted by jayne lee wilson
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Prom 15 - 25.07.17: The Songs of Scott Walker (1967–70)
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Originally posted by EdgeleyRob View PostYou missed out The Unforgettable Fire,are you too a fan Jayne ?
(**) sold it to a dealer up Bold Street, "mint" (of course), when I was cobbling funds for my first classical CDs.... hope it found a good home!Last edited by jayne lee wilson; 02-08-17, 00:52.
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Originally posted by jayne lee wilson View PostI never quite recovered from the shock of Boy, Edge.... oh yes, the original vinyl (**) too. God, how I loved that album. Nothing was ever the same after it... I Love U2 U know! Etc
(**) sold it to a dealer up Bold Street, "mint" (of course), when I was cobbling funds for my first classical CDs.... hope it found a good home!
But after that......never mind, a great moment to be savoured.
I lent my vinyl copy and never got it back.
( also never got my copy of October back, but can't say I have really missed that... But I do still have the double single pack of 11 O'Clock Tick Tock, .....mint ......)Last edited by teamsaint; 02-08-17, 07:41.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by Constantbee View PostNow this is more about Jules Buckley than it is about Scott Walker, isn't it. Saw this in 2016 with the Quincey Jones Prom. Great on the radio, but when you read the titles on the TV program it was more about Buckley's skills as arranger. It worked better for me last year because I prefer a more upbeat, er dare I say boppy performance.
Anyway, Uncle Hornet and I switched off after twenty minutes. He gets a bit depressed you see. Said he'd prefer Frank Ifield
Lol
Connie
xx
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I've just been on a long plane journey during which I listened through all of Bish Bosch twice. Some would no doubt find this music a little hard to handle, but I was captivated throughout - apart from the unique voice and the angular lyrics, the sense of form and the arrangements are quite breathtaking. Such a shame there isn't more "pop" music that's as exploratory and powerful as this. (Or is there?)
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Originally posted by Richard Barrett View PostI've just been on a long plane journey during which I listened through all of Bish Bosch twice. Some would no doubt find this music a little hard to handle, but I was captivated throughout - apart from the unique voice and the angular lyrics, the sense of form and the arrangements are quite breathtaking. Such a shame there isn't more "pop" music that's as exploratory and powerful as this. (Or is there?)
It was partially the Brel connections - and some dark tendencies broadly - that changed Walker in the late 1960s into "artistic". Then after 1974 it's all strange tortured recluse and, yes, I think french frank is right, towards the avant-garde. A Bardot without quite the slightly Nazi leanings and concern for animal rights. I too remember "Climate of Hunter" and "Tilt" and what followed.....the NME reviews......and the dates of release of those make their own point : 1984, 1995, 2006 ("The Drift"), 2012 ("Bisch Bosch") - not pop times. Always fascinating. In each case I made a point of listening although I'm more of a "Montague Terrace" man. Whether there is much progression between them I am not too sure nor am I sure if it matters.
I have no strong opinions on this Prom other than that Walker as with Ella is a very distinctive voice in the most literal sense which brings its own challenges for the bravehearted.
Anyhow, I pretty much agree with all of the very informed comments on this thread for which thanks.Last edited by Lat-Literal; 15-08-17, 22:25.
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