Originally posted by french frank
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Prom 15 - 25.07.17: The Songs of Scott Walker (1967–70)
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Originally posted by Richard Barrett View PostI was saying that this kind of Scott Walker is emphatically not the sort of material that Cocker et al would dream of presenting at this Prom, which concentrates on the songs he wrote at the beginning of the long evolution towards "Epizootics" etc. I think it would have been rather fine to have traced that evolution through a concert, partly to show that a pop artist finding a successful formula is not necessarily a prelude to decades of bland stagnation...
It would have been so much more interesting, both as a sort of documentary, and as an artistic examination of his development and achievements. The reason I couldn't be bothered to keep on listening ( and I'm glad by the way that Muzzer who was there did enjoy it), was because after three songs it seemed clear to me where this was(n't) going.
More importantly to me, there seem to me to be interesting questions about how a really worthwhile performance tradition for this music, and especially for his music of the last ten years or so, can develop, outside of the usual tribute band style. As Muzzer mentions, there are lot of people who are understandably keen to hear SW's music performed live, in creative and fitting ways. And the same point can I think be applied to Bowie's music now that he is no longer here to present it.
The Proms , with its slightly less urgent financial imperative than other venues and organisations, seems to me to be an ideal place to attempt to try to present music in new, different, and respectful ways, but the organisers seem stuck in a paradigm which dictates " Add a good orchestra, bring in a current celebrity who will sell tickets and let the publicity do the rest."
And I don't think that is good enough either for the music, or for the festival.
Just IMO, of course.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by Richard Barrett View PostI think it would have been rather fine to have traced that evolution through a concert, partly to show that a pop artist finding a successful formula is not necessarily a prelude to decades of bland stagnation...It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by Richard Barrett View PostNo it isn't!
That's better.....or is it......
( Not much interest in this Prom compared to some other similar events.)I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by teamsaint View PostCan we all stop agreeing please ? It's unnerving.
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Well, as a non expert on SW's music, I'd suggest a quick spin through a few things over the years to see where his music went , which might possibly pique your curiosity further.
The Old Man's Back again from Scott 4.
The Electrician from Walker Brothers Nite Flights
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
Sleepwalkers Woman from Climate of Hunter
Farmer in the City from Tilt.
Jolson and Jones from The Drift.
"Jolson and Jones" by Scott Walker. One of my favourite tracks of the album called The Drift! No need to add pictures to the video, the music will say enough...
Should give you an idea of the direction of travel, and whether you want to seek out more.
And if you have an hour and a half to spare to watch a documentary with spanish subtitles.....
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
Hope you find something of interest, Mac.Last edited by teamsaint; 26-07-17, 22:11.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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I think the simple fact is that by the reactionary standards of 6 music the best chance there is of putting on this music live is by sticking to the late 60s period and yes getting in an orchestra and some guest singers. I'm aware of the irony. Where were the hipsters when SW was making these records? Looking elsewhere as hipsters always are, and as is their eternal tragedy. The later SW work is also arguably unperformable in any event, featuring more treated sounds etc. As ever with anything "popular" it would be great if the 6 music types were led into the deeper reaches of music hinted at by SW, and obviously some are, but from a purely artistic viewpoint I agree the prom was pretty tame. I refer m'learned friends again to the cringe fest that was the radio 3 / 6 music crossover day last year when it was all Mary Anne Hobbs could do not to ask Martin Handley if he'd heard of the Beatles. There is a real, to me hilarious, gulf between how true pop artists like Bowie and Scott Walker view and use pop culture, and the fawning uninformed bilge heaped upon them by presenters and pundits who supposedly know their stuff. Rant over. I still enjoyed the prom. I'm a sucker for sweeping moody strings.
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Muzzer, it was good to hear that you enjoyed the Prom.
If you're going to perform late 60's SW, then the orchestra ( and they did sound good on the radio) is well worth throwing into the mix, or pretty essential really. (I'm a bit of a sucker for sweeping strings too, not least on Dusty Springfield records). The " problem " with it here as I hinted at is that it is part of a formula.Pet Shop Boys, the Stranglers ( god help us...yes what London Lady really needed adding was a full blooded string section.....)
Regarding the later period stuff, there were these concerts at the Barbican. I didn't go, and I can't recall the reviews, but an attempt was made.
It sold out, so maybe there is hope for a repeat, or another concert or series at some point. It offers lots of opportunities for creative work, IMO.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by teamsaint View PostWell, as a non expert on SW's music, I'd suggest a quick spin through a few things over the years to see where his music went which might possibly pique your curiosity further.
The Old Man's Back again from Scott 4.
The Electrician from Walker Brothers Nite Flights
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
Sleepwalkers Woman from Climate of Hunter
Farmer in the City from Tilt.
Jolson and Jones from The Drift.
"Jolson and Jones" by Scott Walker. One of my favourite tracks of the album called The Drift! No need to add pictures to the video, the music will say enough...
Should give you an idea of the direction of travel, and whether you want to seek out more.
And if you have an hour and a half to spare to watch a documentary with spanish subtitles.....
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
Hope you find something of interest, Mac.
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Originally posted by Maclintick View PostThanks, TS. Very kind, but these'll have to go some way beyond what I've heard in order to convince me of the Proms' description of SW as an [I]"[COLOR=#272727]avant-garde contemporary musician"
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Originally posted by Maclintick View PostThanks, TS. Very kind, but these'll have to go some way beyond what I've heard in order to convince me of the Proms' description of SW as an "avant-garde contemporary musician", considering the 60s were a high-water mark of avant-garde-ism in music -- & of the arts in general. So far, so unextraordinary &, well, conventional...
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