Prom 1: 15.07.16 - First Night of the Proms

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20570

    Prom 1: 15.07.16 - First Night of the Proms

    19:00 Friday 15 Jul 2016 ON TV
    Royal Albert Hall

    Pyotr Ilyich Tchaikovsky: Fantasy Overture 'Romeo and Juliet'”
    Edward Elgar: Cello Concerto in E minor
    Sergei Prokofiev: Cantata 'Alexander Nevsky'


    Olga Borodina, mezzo-soprano
    Sol Gabetta, cello
    BBC National Chorus of Wales
    The BBC Symphony Chorus
    BBC Symphony Orchestra
    Sakari Oramo, conductor

    Tchaikovsky's ravishing 'Romeo and Juliet' overture launches our celebrations marking 400 years since the death of Shakespeare.
    Argentine soloist Sol Gabetta makes her Proms debut in Elgar's hauntingly lyrical Cello Concerto, the first in a series of works throwing a spotlight on the instrument.
    Prokofiev delivered a score of new directness and clarity for his friend Sergey Eisenstein's patriotic film Alexander Nevsky: the cantata he fashioned from it features the dramatic 'Battle on the Ice'.



    BBC Symphony Orchestra under Sakari Oramo in Tchaikovsky, Elgar and Prokofiev.


    http://www.bbc.co.uk/programmes/b07mm5rv (repeat)
    Last edited by Eine Alpensinfonie; 23-07-16, 18:29.
  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20570

    #2
    A rousing opener.

    Comment

    • Zucchini
      Guest
      • Nov 2010
      • 917

      #3
      Sol Gabetta is outstanding by any standards

      Comment

      • BBMmk2
        Late Member
        • Nov 2010
        • 20908

        #4
        Can't wait to hear the Prokovief!
        Don’t cry for me
        I go where music was born

        J S Bach 1685-1750

        Comment

        • Alison
          Full Member
          • Nov 2010
          • 6461

          #5
          Thoroughly good choice of works!

          Comment

          • Il Grande Inquisitor
            Full Member
            • Mar 2007
            • 961

            #6
            Looking forward to being at the RAH for this one. Sol Gabetta's recording of the Elgar is very fine and Alexander Nevsky should certainly get the hall quaking...
            Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....

            Comment

            • maestro267
              Full Member
              • Nov 2010
              • 355

              #7
              A very solid opening night programme with three well-established works. The First Night is always special, whatever's programmed.

              Comment

              • Petrushka
                Full Member
                • Nov 2010
                • 12263

                #8
                I'll be there once again and combining my first Proms visit with a trip to Newbury Races on Saturday (weather permitting ) as I have done for a few years now.

                Yes, the First Night is always special, the start of a wonderful summer of music.
                "The sound is the handwriting of the conductor" - Bernard Haitink

                Comment

                • bluestateprommer
                  Full Member
                  • Nov 2010
                  • 3010

                  #9
                  There were some odd comments elsewhere, I recall, that the running time of this year's First Night seemed a bit short measure. Maybe so, but if nothing else, there should be enough wiggle room time for SG to provide an encore after the Elgar, if she's in the mood (and it would very likely be JSB, understandably enough). Plus, to amplify on IGI's comment (and at the admitted risk of a jinx), if Oramo's interpretation of Alexander Nevsky is anywhere near the quality of his Belshazzar's Feast at the First Night last year, he may well blow the roof off of the RAH, and leave all parties very satisfied.

                  Comment

                  • Carlos V

                    #10
                    Tomorrow's concert will be my first Prom ever and I couldn't be more excited. To me, Elgar's concerto is the true gem of the cello repertoire, although I could listen to Dvorak's final coda(s) until the end of times. Alexander Nevsky is a true barnstorming piece, although I don't know how RAH vastness will affect its power. I bought seats close to the stage to avoid feeling underwhelmed. At home this is the kind of piece (like Bruckner's symphonies) I crank up the volume for (sorry neighbours).

                    I look forward to reading your opinions about the concert afterwards. I've always thought that being able to share your concert-going experiences adds a lot to the enjoyment.

                    Comment

                    • Eine Alpensinfonie
                      Host
                      • Nov 2010
                      • 20570

                      #11
                      Welcome to the forum, Carlos V.

                      I hope you enjoy your first Prom. It sounds as though you have made the right choice re seats. It's better not to be too far from the stage in the RAH.

                      Comment

                      • Carlos V

                        #12
                        Thanks. I'm sure I will. I've been to a dozen concerts since I moved to London six months ago. Not even once I've left the hall without a smile on my face. Either I'm really lucky or (more likely) the quality of music-making here is much higher than what I am used to...

                        Comment

                        • mercia
                          Full Member
                          • Nov 2010
                          • 8920

                          #13
                          7pm start but 7:30 on TV, with a quick change to BBC4 for part 2.

                          Comment

                          • french frank
                            Administrator/Moderator
                            • Feb 2007
                            • 30331

                            #14
                            Originally posted by Carlos V View Post
                            I look forward to reading your opinions about the concert afterwards. I've always thought that being able to share your concert-going experiences adds a lot to the enjoyment.
                            With the audience listening in at home, the opinions may be many and various - but for goodness sake, don't let them detract from your own enjoyment: if you enjoy it, many others will as well. And that's what matters - and welcome to the forum!
                            It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

                            Comment

                            • pursuivant
                              Full Member
                              • Jul 2012
                              • 11

                              #15
                              Last Night Speeches

                              Maybe last night speeches are not quite so memorable nowadays but it was a pleasure (and rather moving) to hear on Radio 3 this morning Sir Henry Wood's very last speech in 1944 sadly foreshadowing Sir Malcolm Sargent's in 1967 - both conductors looked forward to conducting in the following season but neither lived to do so. Was it my ears or did I hear Sir Henry Wood thanking Sir Adrian Boult and Sir Basil Cameron. I know nothing about Basil Cameron being a Knight.

                              Comment

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