Originally posted by ferneyhoughgeliebte
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Coincidentally, last night's concert programming (Ich Habe Genug, Bruckner 9) seemed in some ways reminiscent of those 1970 programmes. But the programme had clearly been chosen by the single group performing (rather than at the whim of Glock), and the juxtaposition seemed 'right', for a number of reasons (Bach and Bruckner, God, farewell to life). I may very well be missing something, but I still can't see the sense of D898 + Tristan Act III or four Byrd motets + Gerontius.
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