Where did you find these figures by the way?
I think that one thing the figures show is that middle-of-the-road British composers probably fare better than any other contemporary composers, of any nationality. I find the C Matthews total a bit shocking to be honest. If I were an innocent potential member of the Proms' new audiences I think I'd be seriously put off by all that "classical music without the tunes".
Originally posted by teamsaint
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