The 2016 Proms Season: what are your thoughts?

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  • vinteuil
    Full Member
    • Nov 2010
    • 12844

    Ah, the German sense of humour!

    Is Ach Hinton concealing some German ancestry? ...

    Comment

    • ahinton
      Full Member
      • Nov 2010
      • 16123

      Originally posted by vinteuil View Post
      Ah, the German sense of humour!

      Is Ach Hinton concealing some German ancestry? ...
      Nein, mein Herr! Any such ancestry - IF any - is so well concealed as to have been invisible to this Scotsman personally throughout his lifetime.

      Perhaps Hans Schmidt-Isserstedt, had he been familiar with John Betjeman's Slough, might have thought to paraphrase its first two lines

      "Come friendly bombs and fall on Slough!
      It isn't fit for humans now"

      as

      "Some friendly bombs - not Proms - must fall
      Upon the Royal Albert Hall"

      I'll get me coat...

      Comment

      • Richard Barrett
        Guest
        • Jan 2016
        • 6259

        Originally posted by ferneyhoughgeliebte View Post
        What is being suggested is that SOME of this repertoire SHOULD be regularly featured. At no point in the Glock years were the most recent ideas and developments completely boycotted year after year after year.
        Right. 21st century music is nothing if not diverse; but this diversity simply isn't represented. Why not?

        Comment

        • Richard Barrett
          Guest
          • Jan 2016
          • 6259

          Originally posted by teamsaint View Post
          Not the same , of course, as hearing that music in a concert situation, with or without the bathroom effect of the RAH, and the huge exposure that a broadcast gives.
          And guaranteed critical coverage, for what that's worth.

          Comment

          • teamsaint
            Full Member
            • Nov 2010
            • 25210

            Originally posted by Richard Barrett View Post
            Right. 21st century music is nothing if not diverse; but this diversity simply isn't represented. Why not?
            Because that isn't what it is about.
            It is a BBC festival,with events that fit certain BBC remits, sadly.

            The BBC is a powerful voice of the establishment.

            From a certain perspective ,powerful music that makes people think and question needs careful control. little boxes are a big help in this process.

            What we are offered is not diversity, but " Diversity".
            I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

            I am not a number, I am a free man.

            Comment

            • teamsaint
              Full Member
              • Nov 2010
              • 25210

              Originally posted by Richard Barrett View Post
              And guaranteed critical coverage, for what that's worth.

              Still worth a lot.
              At least that is what the guys in our glamorous marketing dept tell me, and I'm sure they know.
              I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

              I am not a number, I am a free man.

              Comment

              • MrGongGong
                Full Member
                • Nov 2010
                • 18357

                Originally posted by Richard Barrett View Post
                Right. 21st century music is nothing if not diverse; but this diversity simply isn't represented. Why not?

                Comment

                • Richard Barrett
                  Guest
                  • Jan 2016
                  • 6259

                  Originally posted by teamsaint View Post
                  Because that isn't what it is about.
                  It is a BBC festival,with events that fit certain BBC remits, sadly.

                  The BBC is a powerful voice of the establishment.

                  From a certain perspective ,powerful music that makes people think and question needs careful control. little boxes are a big help in this process.

                  What we are offered is not diversity, but " Diversity".
                  Yes. Anyway I'm sure I've descended into a repetition of what I say every year so I'd better stop. If I were less of an optimist I guess I wouldn't be disappointed every time.

                  Comment

                  • teamsaint
                    Full Member
                    • Nov 2010
                    • 25210

                    Does anybody know how the pre booked Promming tickets will work?
                    How many will there be?
                    Will there be yet another different queue?
                    Booking fees?

                    Not really sure what the point is,although I suppose it will make travelling less of a gamble for those travelling some distance, which has some benefit.
                    if that is one of the reasons,it seems a bit counter intuitive to put them on sale that morning, when people in that situation might need to be on the move. the previous night would be more sensible.
                    Thoughts?
                    Last edited by teamsaint; 17-04-16, 19:49.
                    I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

                    I am not a number, I am a free man.

                    Comment

                    • teamsaint
                      Full Member
                      • Nov 2010
                      • 25210

                      Originally posted by Richard Barrett View Post
                      Yes. Anyway I'm sure I've descended into a repetition of what I say every year so I'd better stop. If I were less of an optimist I guess I wouldn't be disappointed every time.
                      With the Proms, I do tend to be a bit " Glass half full", and try not to be disappointed, but to see the opportunities and the benefits. probably because I enjoy going.

                      But the missed opportunities make it hard not to be disappointed at times.
                      I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

                      I am not a number, I am a free man.

                      Comment

                      • Barbirollians
                        Full Member
                        • Nov 2010
                        • 11700

                        Originally posted by ferneyhoughgeliebte View Post
                        Yeah, right. Lots of "Classical Music" programmes on BBC4, too.
                        I know little of many of the composers of new commissions this year. What is it that you find so objectionable about them ?

                        Comment

                        • Richard Barrett
                          Guest
                          • Jan 2016
                          • 6259

                          Originally posted by Barbirollians View Post
                          What is it that you find so objectionable about them ?
                          Not enough broken glass.

                          But seriously: nobody has said any of them are objectionable; several have said that they represent a very limited view of the music being composed now.

                          Comment

                          • ferneyhoughgeliebte
                            Gone fishin'
                            • Sep 2011
                            • 30163

                            Originally posted by Barbirollians View Post
                            I know little of many of the composers of new commissions this year. What is it that you find so objectionable about them ?
                            Imagine that you're given an opportunity to travel in a Tardis back to King's Lynn in 1970 to hear Barbirolli conducting the Hallé in Elgar's First.
                            Now imagine that by a quirk in the Tardis controls, you end up with Maurice Handford conducting the Hallé in a Spohr Symphony instead.

                            There's nothing "objectionable" is there - a competent conductor, a decently composed orchestral work from the early Nineteenth Century, the same fine players - but it's not what you're hoping for. There will be competently composed works by Lindberg, Ter Schiphorst, Grimes, and Berkeley ... and I expect fine pieces from Payne and Anderson, and maybe even something better from De Leeuw.

                            But I prefer to be excited by what might be coming up, I want to be thrilled and in a state of "I can't wait to hear" this or that piece; I want horses to be scared. There's nothing doing that for me from the pieces by living composers in this year's Proms ... not one thing that's out of the ordinary. And that's a disservice to New Music when there is quite a lot of exciting stuff from the Nineteenth and Twentieth Centuries in this season. (There's also a disservice to older Music, too, this year. Again.)
                            [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                            Comment

                            • Petrushka
                              Full Member
                              • Nov 2010
                              • 12255

                              Originally posted by ferneyhoughgeliebte View Post
                              I want horses to be scared. There's nothing doing that for me from the pieces by living composers in this year's Proms ... not one thing that's out of the ordinary.
                              But you haven't heard them yet! While the track record of the composers of the new commissions might lead you to expect certain things might a surprise not be sprung?
                              "The sound is the handwriting of the conductor" - Bernard Haitink

                              Comment

                              • Richard Barrett
                                Guest
                                • Jan 2016
                                • 6259

                                Originally posted by Petrushka View Post
                                But you haven't heard them yet! While the track record of the composers of the new commissions might lead you to expect certain things might a surprise not be sprung?
                                I'm prepared to be proved wrong, but I wouldn't say that any of them look like the kind of composers who would use a Proms commission to do something the like of which they'd never done before, which is no doubt one reason for selecting them. Now I should really get off this thread!

                                Comment

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