Originally posted by Alison
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Prom 51: Boston SO/Nelsons (23.08.15)
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Originally posted by Tony View Post"too much the nice chap to scare these musicians"
Very unfortunately this is the simple reason why 99% of 'modern' conductors don't and CAN'T achieve the results that their 'much less nice' predecessors were able to!
We live in a crazy world where 'orchestral managers' are allowed to - and even encouraged to - tell a conductor exactly how far he/ she is 'allowed to to go' in terms of demanding 'improvements' and 'results' from the orchestral players.
Those truly great and 'demanding' conductors of the past must be spinning in their graves, e.g. Toscanini, Szell, Reiner, Horenstein, Silvestri, Bernstein etc....!
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Modestly paid professional performers deserve good employment conditions.
I don't see much need for good conductors to be "not nice."
except the ones with Napoleon complexes, of course.
They can't help it, obviously.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by mahlerei View PostTo be fair I assumed DJ meant live live, rather than recorded live...Last edited by DublinJimbo; 24-08-15, 20:03.
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Originally posted by DublinJimbo View PostBut this Shostakovich CD still disappoints.
I was present in the RAH for this Prom yesterday afternoon in 'M' Stalls and it sounded pretty good from where I was sitting. Nelsons can be both fascinating and distracting to watch; he seems to conduct every single note of every instrument, cueing in absolutely everything with plenty of crouching and knee bending going on. He used the baton like a rapier. Unfortunately had to dash off during the wild applause at the end in order to catch a train so I hope I didn't miss an encore or two."The sound is the handwriting of the conductor" - Bernard Haitink
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Originally posted by teamsaint View PostModestly paid professional performers deserve good employment conditions.
I don't see much need for good conductors to be "not nice."
except the ones with Napoleon complexes, of course.
They can't help it, obviously.
I should imagine that needing to keep your hand on your wallet inside your jacket must be something of a handicap when conducting, thereby accentuating not only the Napoleon pose but the complex too.
The sound of one hand???
I've also often wondered at the way 18th century French officers always wore their hats side-to-side, whereas the British wore theirs from back-to-front. (Not actually wearing them back to front of course, as the hats, or helmets, appeared symmetrical at that period). I wonder if this had any effect on the way our respective nations ran their empires differently.
Anyway, I'm off-topic.
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