Ah yes - Home Truths. That was one of the very best.
Prom 37: Late Night With … BBC Radio 1Xtra (12.08.15)
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Anna
The Guardian gave it 4**** and said "It's a testament to both grime's accessibility and the sing-along power of its most anthemic tracks"
Review here: http://www.theguardian.com/music/201...-is-a-neat-fit
The Independent gave it 5***** http://www.independent.co.uk/arts-en...-10453533.html
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Originally posted by Anna View PostThe Guardian gave it 4**** and said "It's a testament to both grime's accessibility and the sing-along power of its most anthemic tracks"
Review here: http://www.theguardian.com/music/201...-is-a-neat-fit
The Independent gave it 5***** http://www.independent.co.uk/arts-en...-10453533.html
But I still think this insistence that having an orchestra makes it 'classical' (rather than 'orchestral') is depressing. Some people really do believe that they're hearing some sort of blend of grime and 'classical music'.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by french frank View Post
But I still think this insistence that having an orchestra makes it 'classical' (rather than 'orchestral') is depressing. Some people really do believe that they're hearing some sort of blend of grime and 'classical music'.
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Originally posted by ferneyhoughgeliebte View PostHe would refer to the Proms he'd attended in his Radio Times column and on Home Truths (with a fondness for Rachmaninoff, I remember). I think Cerys Matthews and Stuart Maconie are at least occasional visitors, too.
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Originally posted by Anna View PostThe Guardian gave it 4**** and said "It's a testament to both grime's accessibility and the sing-along power of its most anthemic tracks"
Review here: http://www.theguardian.com/music/201...-is-a-neat-fit
The Independent gave it 5***** http://www.independent.co.uk/arts-en...-10453533.html
Kieran Yates is a freelance journalist and broadcaster and the author of All The Houses I've Ever Lived In
NME brings you the latest music and pop culture news and reviews, along with videos and galleries, band features, concert tickets, magazine, radio and more.
She writes:
with the classical musicians helping to amplify the more modern genre’s cinematic drama
by ‘classical musicians’ she means this:
Metropole Orkest (have we met them before?)
She seems to be terribly excited about the fact that her kind of music was performed at The Proms but obviously learned nothing much about classical music.
By the way, my criticism is about the way in which The Guardian is picking and choosing ‘the right kind of’ reviewers to publish their Proms reviews.
What did the experts on this forum think?
Incidentally, this review is published on the Gordian Main Music (i.e. Music minus classical music) site, too. I wonder how it is in the printed edition.
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Originally posted by MrGongGong View PostSo (and i'm not saying it is or isn't) would make it 'classical' in your definition?It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by french frank View PostOf course not. 'Classical music' refers to a repertoire which may or may not be orchestral: it isn't the orchestra that makes it classical. And blended with grime à la Buckley, it's grime with an orchestra.
(ignoring the fact that the Proms has always included "non-classical" musics )
I think (sadly in some ways but not in others) the presence of the orchestra DOES make it "classical music" by current definitions.
There are plenty of pieces which are now considered to also be (G&S) that weren't at the time of their creation.
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Originally posted by cloughie View PostI seem to remember in one of his articles mentioning his love of the imperfections of vinyl over CD and mention of Rachmaninov PC 2 and the old ACL recording by Julius Katchen comes to mind.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by MrGongGong View Postthink (sadly in some ways but not in others) the presence of the orchestra DOES make it "classical music" by current definitions.
To me 'classical music' is a particular repertoire of many styles, many eras, many formats and many instrumental groupings. The vast mass was written before 1950. If they want to rebrand the Proms as a 'music festival', they should do so. Announce it and do it. Not keep introducing the word 'classical' to brainwash people into thinking they're really experiencing it. Or that every sort of music is 'classical really'.
(ignoring the fact that the Proms has always included "non-classical" musics )
It's currently trial by jury as far as G&S is concerned. Much is deliberate pastiche rather than the real thing. Composing a Handelian aria in the 1880s, for semi-humorous effect, is not authentically anything except, probably, G&S.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by doversoul View PostAdministrator
Please can you start a new thread (on Talking about Music maybe) about ‘what is classical music?’ or whatever the title Mr Gongers prefers and leave all the concert threads for the members to talk about the concert and the related music?
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