No. This is not about American politics - it is about last nights TV coverage of the Bournemouth Symphony Orchestra playing Prokofiev's 5th symphony.
The Right to Bare Arms
Throughout my professional career, I have fought for equality of opportunity for women to secure employment in orchestras on merit alone. I am happy to say that at last, even the Berlin Symphony and Vienna symphony orchestras have relaxed that dreadful "no women here" policy.
When Sir Thomas Beecham was asked "why no women in your orchestra" he replied "Well, if they're good-looking , they distract the men and if they are ugly, they distract me"
Do you remember the Kathleen Riddick Orchestra? Formed for all those talented ladies who were barred from the LSO and other major symphony orchestras - and a jolly good outfit they were too.
So now emancipation is almost complete, ladies - but don't abuse it.
What would you think if the gentlemen of the Berlin Orchestra turned up at the proms wearing black singlets? "Rattle and the Blackshirts" (A good name for one of those boy bands)
So the ladies of our own BSO can stay cool in the summer heat of the Royal Albert Hall while the men swelter in dinner suits, tight collars and bow ties?
Last night, I counted 40 sets of bare shoulders - about 50% of the players kept their cool and with Prokofiev's fiendishly difficult writing for the upper strings, they needed to.
Let's have a dress code which can still allow the ladies to look attractive but does not distract or annoy the men and does not offer a cheap way of enhancing the programme by overdoing the camera shots of those pretty young ladies on the back desks..
The Elder"States" man].
One of the attractions for me of Russian Symphonies is the continuity of the movements. All joined together by little snippets from the other movements, right up to the finale.
The 5th symphonies of Tchaikowsky, Shostakovitch and Prokofiev all have this in common.
But the intervention of Mark Elder's musical appreciation lessons (on last night's TV) between movements completely destroyed that continuity which the composer intended.
I played all of those symphonies under Silvestri and am well aware of the complexities particularly of the Shostakovitch and Prokofiev, but in between movements is not the right place to explain them.
Well played, Bournemouth S.O.
Black mark for BBC Television.
Stick to what you do best - current affairs and drama.
HS
The Right to Bare Arms
Throughout my professional career, I have fought for equality of opportunity for women to secure employment in orchestras on merit alone. I am happy to say that at last, even the Berlin Symphony and Vienna symphony orchestras have relaxed that dreadful "no women here" policy.
When Sir Thomas Beecham was asked "why no women in your orchestra" he replied "Well, if they're good-looking , they distract the men and if they are ugly, they distract me"
Do you remember the Kathleen Riddick Orchestra? Formed for all those talented ladies who were barred from the LSO and other major symphony orchestras - and a jolly good outfit they were too.
So now emancipation is almost complete, ladies - but don't abuse it.
What would you think if the gentlemen of the Berlin Orchestra turned up at the proms wearing black singlets? "Rattle and the Blackshirts" (A good name for one of those boy bands)
So the ladies of our own BSO can stay cool in the summer heat of the Royal Albert Hall while the men swelter in dinner suits, tight collars and bow ties?
Last night, I counted 40 sets of bare shoulders - about 50% of the players kept their cool and with Prokofiev's fiendishly difficult writing for the upper strings, they needed to.
Let's have a dress code which can still allow the ladies to look attractive but does not distract or annoy the men and does not offer a cheap way of enhancing the programme by overdoing the camera shots of those pretty young ladies on the back desks..
The Elder"States" man].
One of the attractions for me of Russian Symphonies is the continuity of the movements. All joined together by little snippets from the other movements, right up to the finale.
The 5th symphonies of Tchaikowsky, Shostakovitch and Prokofiev all have this in common.
But the intervention of Mark Elder's musical appreciation lessons (on last night's TV) between movements completely destroyed that continuity which the composer intended.
I played all of those symphonies under Silvestri and am well aware of the complexities particularly of the Shostakovitch and Prokofiev, but in between movements is not the right place to explain them.
Well played, Bournemouth S.O.
Black mark for BBC Television.
Stick to what you do best - current affairs and drama.
HS
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