Two editions of this show down, and I can't see we've had any comments on this flagship discussion programme.
This Saturday's show (guests Barbara Hannigan, Joby Talbot and Andrew Gourlay) focussed heavily on the BBC's mission to widen the appeal of the Proms. KD was clearly up to the task, demanding each of the guests whether it wasn't great to have spontaneous applause between movements (citing the reaction to Jupiter). This was followed by the longest item on the show - no, not the Prokofiev cycle of all five concertos or the Boulez celebrations but the Ibiza prom. Barbara Hannigan clearly hadn't read the script with her own admission that the Ibiza prom "did nothing for me". La Derham grinned between clenched teeth and then changed tack to argue that these days it was all about interaction between audience and performer, implying that the paying public were at least as important as the music. BH again countered, recounting how she had been bothered by a member of the audience sticking an iphone in her face to film her in a performance of Lulu, and how this had now gone too far with audiences increasingly showing a lack of respect for musicians and fellow audience members alike.
In among the dross, the only moderately redeeming elements were the feature on the BBC SO and its approach to Boulez, and Owen Norris' frothily lightweight "Behind the Score". Will it be better next week? Not sure I'll be tuning in to find out.
This Saturday's show (guests Barbara Hannigan, Joby Talbot and Andrew Gourlay) focussed heavily on the BBC's mission to widen the appeal of the Proms. KD was clearly up to the task, demanding each of the guests whether it wasn't great to have spontaneous applause between movements (citing the reaction to Jupiter). This was followed by the longest item on the show - no, not the Prokofiev cycle of all five concertos or the Boulez celebrations but the Ibiza prom. Barbara Hannigan clearly hadn't read the script with her own admission that the Ibiza prom "did nothing for me". La Derham grinned between clenched teeth and then changed tack to argue that these days it was all about interaction between audience and performer, implying that the paying public were at least as important as the music. BH again countered, recounting how she had been bothered by a member of the audience sticking an iphone in her face to film her in a performance of Lulu, and how this had now gone too far with audiences increasingly showing a lack of respect for musicians and fellow audience members alike.
In among the dross, the only moderately redeeming elements were the feature on the BBC SO and its approach to Boulez, and Owen Norris' frothily lightweight "Behind the Score". Will it be better next week? Not sure I'll be tuning in to find out.
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