Originally posted by Satie
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I do find TS very unsuitable as a Proms presenter. His gabbling narrative is hard to follow; his post-Turnage exegis was unnecessary, opinionated and over-detailed.
Please let us make up our own minds about the music and its performance! ('I'm sure the audience felt/enoyed/appreciated [insert a TS opinion here]'.
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Originally posted by kernelbogey View PostI do find TS very unsuitable as a Proms presenter. His gabbling narrative is hard to follow; his post-Turnage exegis was unnecessary, opinionated and over-detailed.
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Originally posted by kernelbogey View PostI do find TS very unsuitable as a Proms presenter. His gabbling narrative is hard to follow; his post-Turnage exegis was unnecessary, opinionated and over-detailed.
Please let us make up our own minds about the music and its performance! ('I'm sure the audience felt/enoyed/appreciated [insert a TS opinion here]'.
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Originally posted by johnb View PostTS is an excellent Proms presenter. The problem is all those pieces of music that Radio 3 insists on playing but which interrupt his inspired flow. (I'm sure that TS would agree.)
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Originally posted by Eine Alpensinfonie View PostHe had a field day at the first Saturday Matinee Prom. While the stage was being reset, TS talked about how he was "having to fill in" until everything was ready. I don't know why he thought he needed to say anything.
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Originally posted by kernelbogey View Post....his post-Turnage exegis was unnecessary, opinionated and over-detailed....
E.g. facts: The hall is full; the orchestra are still coming on to the platform; this work was commissioned by the BBC; the concerto has three movements marked [etc]; the crtic Hanslick wrote [etc] and so on and so forth.
Opinion/observation: I enjoyed that; I can see that the soloist and conductor are both smiling and exchanging an embrace; I think we may be in for an encore [try not to adopt disingenuous tone of voice].... and so on and so forth.
R3 please take note?
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Originally posted by Flosshilde View PostPresenters aren't reporters.
(What's the difference between "the orchestra are still coming on to the platform" and "the soloist and conductor are both smiling and exchanging an embrace"?)
As kernelbogey says, the BBC really should make it clear that presenters are not commentators or reviewers. Not so long ago, Radio3 presenters were able to fill in a long gap with appropriate and interesting information about the music, as some still can.
I don’t think R3 presenters are reporters, as they are not there to report what is happening/has happened but to present / inform, based on their knowledge, about the music that is about to be played or has just been played but without their own opinions.
[ed.] perhaps this should be on the presenter thread.
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Originally posted by kernelbogey View PostThe Guardian (i know, I know) makes a big thing of the distinction to be drawn between news and opinion. I wish R3 presenters would make a similar distinction.
E.g. facts: The hall is full; the orchestra are still coming on to the platform; this work was commissioned by the BBC; the concerto has three movements marked [etc]; the crtic Hanslick wrote [etc] and so on and so forth.
Opinion/observation: I enjoyed that; I can see that the soloist and conductor are both smiling and exchanging an embrace; I think we may be in for an encore [try not to adopt disingenuous tone of voice].... and so on and so forth.
R3 please take note?
And the first two of the examples of 'facts' that you give are 'observations', too. And you don't want observations (?).
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Originally posted by doversoul View PostSomething like; ‘the orchestra are still coming on to the platform’ is an impersonal observation and has no implications but ‘’the soloist and conductor are both smiling and exchanging an embrace" adds (or enforces) value that the performance was wonderful?
I don’t think R3 presenters are reporters, as they are not there to report what is happening/has happened but to present / inform, based on their knowledge, about the music that is about to be played or has just been played but without their own opinions.
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Originally posted by Beef Oven! View PostSurely those are objective facts not opinions?
And the first two of the examples of 'facts' that you give are 'observations', too. And you don't want observations (?).
This is exactly what I don't want:
Opinion/observation: I enjoyed that; I can see that the soloist and conductor are both smiling and exchanging an embrace; I think we may be in for an encore [try not to adopt disingenuous tone of voice].... and so on and so forth.
I find the gushing nonsense coming out of the BBC presenters embarassing. It's a culture that runs right through the BBC and devalues the programmes.
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Originally posted by Stanfordian View PostHiya Beefy,
This is exactly what I don't want:
Opinion/observation: I enjoyed that; I can see that the soloist and conductor are both smiling and exchanging an embrace; I think we may be in for an encore [try not to adopt disingenuous tone of voice].... and so on and so forth.
I find the gushing nonsense coming out of the BBC presenters embarassing. It's a culture that runs right through the BBC and devalues the programmes.
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Originally posted by Flosshilde View Post
Expressing their own opinion could be part of informing the audience about the music that has just been played?
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