New Proms Director
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Originally posted by mercia View Post
For a moment I thought it might be that AD had fled in terror, pursued by the FoR3 bear …It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Rather a lot of emphasis on new and wider audiences. I hope the new director has somewhat different ideas about how to put this into practice from how things have been in the last few years.
"I look forward now to building on the founding principles of the Proms - to bring world-class classical music to the widest possible audience."
Helen Boaden, director of BBC Radio, said Pickard had "an outstanding track record in bringing new audiences to classical music".
His achievements at Glyndebourne have included the discovery of exciting new artistic talent and the establishment of a range of new initiatives to bring opera to wider audiences through Glyndebourne's touring, education and digital activities
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Originally posted by doversoul View PostRather a lot of emphasis on new and wider audiences. I hope the new director has somewhat different ideas about how to put this into practice from how things have been in the last few years.
Is this something to be detached (if no one minds!) for a new discussion on the Proms?It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by french frank View PostHe does say 'to bring world-class classical music' to the widest possible audience, and Boaden 'bringing new audiences to classical music'. At face value that is surely to be applauded? If that was a prime concern of his predecessor, it wasn't obvious. New audiences to the Proms, yes; but not necessarily to classical music of any description.
Is this something to be detached (if no one minds!) for a new discussion on the Proms?
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Originally posted by Serial_Apologist View PostI think this is as good a place as any, to keep our beady eyes on Mr Pickard, as he, er, settles into his new job.
We have Jarvis Cocker coming up this year, but it looks - am I wrong? - as if there has been a bit of rowing back from the naked 'pop' appeal of last year …It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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I don't know him
BUT many of the folks I have seen commenting on social media about this I would have a lot of respect for.
The job IS to bring music to the "widest possible audience", that's one of the main reasons the Proms were started in the first place
if you want a museum there are plenty in the vicinity of the RAH
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Originally posted by MrGongGong View PostThe job IS to bring music to the "widest possible audience", that's one of the main reasons the Proms were started in the first place
There used to be an argument (c. 2003) that went:
A: Why are they now playing all this non-classical music in Morning on 3, when it's a classical music programme?
B: It isn't a classical music programme - look at all the non-classical music they play …
It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by french frank View PostBut he doesn't seem to think that means ANY sort of music.
There used to be an argument (c. 2003) that went:
A: Why are they now playing all this non-classical music in Morning on 3, when it's a classical music programme?
B: It isn't a classical music programme - look at all the non-classical music they play …
R3 is not the Proms
Some music works really well in the RAH some doesn't
as many in here often have commented some of their best Proms experiences have been all night Indian music, the Gothic Symphony and Cage/Cunningham etc
I just find it extraordinary that some (not ALL) folks seem to object to the idea of "wider audiences"
Rather a lot of emphasis on new and wider audiences
Whether it's done well or badly is something else IMV
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Originally posted by french frank View PostHe does say 'to bring world-class classical music' to the widest possible audience, and Boaden 'bringing new audiences to classical music'. At face value that is surely to be applauded? If that was a prime concern of his predecessor, it wasn't obvious. New audiences to the Proms, yes; but not necessarily to classical music of any description.Last edited by doversoul1; 26-05-15, 19:26.
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Originally posted by MrGongGong View PostI'm not sure what your point is?
R3 is not the Proms
I just find it extraordinary that some (not ALL) folks seem to object to the idea of "wider audiences"
which I read as a criticismIt isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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