I'll just add that there is so much music that we hear rarely live because it's 'bite-size'. It's not just concertante pieces (and there so many of those - Beethoven: Romances, Dvořák: Romanza, Suk: Fantasy, Saint-Saëns: Wedding-Cake Caprice, Elgar: Bassoon Romance, Rachmaninov: Vocalise) but it's also pieces such as Borodin: In the Steppes of Central Asia*, Suk: Fanastické Scherzo, Prokofiev: Overture on Hebrew Themes, Debussy: Petite Suite, and so on ad inf.
Programming such pieces isn't so difficult.
*Borodin called this piece В средней Азии, which translates as In Central Asia. That's rather more pithy than the one we use.
Programming such pieces isn't so difficult.
*Borodin called this piece В средней Азии, which translates as In Central Asia. That's rather more pithy than the one we use.
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