Sunday, 24 August
7.30 p.m. – c. 9.50 p.m.
Royal Albert Hall
Janáček: From the House of the Dead – overture
Dvořák: Cello Concerto in B minor, op. 104
Beethoven: Symphony No. 7 in A, Op 92
Alisa Weilerstein, cello
Czech Philharmonic Orchestra
Jiří Bělohlávek, conductor
The evening opens with the authentic Czech soundscape of Janácek, in the overture from his final opera From the House of the Dead. Recent recordings of the Elgar and Dvorák cello concertos have propelled young American cellist Alisa Weilerstein into a fully fledged musical star. She makes her second visit to the Proms with the Dvorák - one of the great Romantic concertos. The composer sets his soloist against an unusually prominent orchestra, here the forces of the Czech Philharmonic, returning under Chief Conductor Jirí Belohlávek. After the interval Belohlávek directs Beethoven's 'apotheosis of the dance' - Wagner's expression referring to the rhythmic verve of the Seventh Symphony.
7.30 p.m. – c. 9.50 p.m.
Royal Albert Hall
Janáček: From the House of the Dead – overture
Dvořák: Cello Concerto in B minor, op. 104
Beethoven: Symphony No. 7 in A, Op 92
Alisa Weilerstein, cello
Czech Philharmonic Orchestra
Jiří Bělohlávek, conductor
The evening opens with the authentic Czech soundscape of Janácek, in the overture from his final opera From the House of the Dead. Recent recordings of the Elgar and Dvorák cello concertos have propelled young American cellist Alisa Weilerstein into a fully fledged musical star. She makes her second visit to the Proms with the Dvorák - one of the great Romantic concertos. The composer sets his soloist against an unusually prominent orchestra, here the forces of the Czech Philharmonic, returning under Chief Conductor Jirí Belohlávek. After the interval Belohlávek directs Beethoven's 'apotheosis of the dance' - Wagner's expression referring to the rhythmic verve of the Seventh Symphony.
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