Originally posted by Simon B
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Prom 36 - 13.08.14: VW/Alwyn Prom, BBC SO, Jansen / Oramo
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Thanks for the reviews guys,top stuff.
Simon B,yes I'd seen that,thank you,I will be there.
BBC Philharmonic
Vassily Sinaisky conductor | Leonard Elschenbroich cello
Lyadov Eight Russian Folk Songs | Prokofiev Sinfonia concertante for cello and orchestra | Vaughan Williams Job
Friday 20 March 2015 7:30 PM The Bridgewater Hall
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A very good Wasps Overture and Lark, I spoke to listeners who had been in distant seats but could still appreciate Janine Janson's quietest tone. I've loved VW's Job since I first heard a snatch of Boult's first LP recording standing by a small loudspeaker in an army tent in Egypt listening to Music Magazine on the BBC World Service.
Tonight's performance was excellent, the BBC SO strings were particularly good, and of course the organ was thrilling. Somebody pointed out at the pre=Proms talk that when Satan sat on God's throne he did it accompanied by God's instrument, a nice ironic touch from RVW.
The Alwyn? Well, for me it was just dutiful rhetoric without anything significant to remember it by. There was an awful lot of well crafted but essentially faceless music being produced by English composers in the 1940s and 1950s, and this was a typical example. Life's too short to bother when there's so much better stuff around.
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Blotto
I went looking after reading the general enthusiasm for Job. https://www.youtube.com/watch?v=DwJqhXbS2xE A great pleasure to watch Boult conduct - there's something quite compelling in the aptness of his gestures.
Is there a hint of Holst in the Devil's Dance and more than a hint of Britten's Storm interlude from Peter Grimes? Instrumentation and phrases seemed to be everywhere.
... there's some coughing, too.Last edited by Guest; 13-08-14, 23:46.
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Back from the RAH:
A packed house and good to see the coughers made a special effort to get off their sick beds and drag themselves into the hall. So pleased.
Mrs B-o-D remarked that JJ's Lark was much quieter than an earlier performance we caught at the RAH some years ago - and I would agree with her. Of course the acoustics of the hall can play tricks - yesterday we were in Stalls J, before we were higher - but this was certainly a more delicate rendition. I found JJ's prediliction for whole body movement in the more energetic sections a little visually off-putting but she held that silence superbly at the end, hovering her bow above the strings for what seemed an age, allowing that lark to fly away into the rafters and off into the sky.
I'd never heard Job complete before which is some kind of frightful confession considering that I have been listening to English music for nigh on 50 years. A wonderful performance with Oramo holding the most delicate of near silences at the end for what seemed an eternity - and, thankfully, by then the coughers had given up .
Alwyn: this was the piece I had come to hear. And despite Ferret's dismissal of it as rather run-of-the-mill piece (a view which I thought was rather unfairly emphasised in the programme notes with quotes from critics of the first performance in 1950) I find Alwyn's music - the symphonies especially - quite riveting. Its a little difficult to put into precise meaning but I find a sense of a reflection of an Englishness of my childhood (50's) as much as VW's sense in the Lark of a world that was about to vanish. Perhaps its the snatches of lyricism reflecting a sunny carefree summer or the the familiar (but not quite recognisable) phrasing which could have come from any number of British films of the 40's and 50's that strikes an aural chord with me but it is the fff climaxes in his symphonies that still bowl me over some 40+ years since I first came across the Lyrita LPs. The First has never been my favourite of the ALwyn symphonies but I'll take any live performance I can get - and this one didn't disappoint.
(On the crush of the no.52 bus making our way back to Victoria we struck up a conversation with a lady who had been at the performance. I asked her what piece she had particularly come for that evening and she replied "the Lark - the others were rather heavy going". I wondered to myself if the packed house was made up of a fair proportion of those who only knew the Lark from R3 and CFM. She did get off at Knightsbridge so perhaps she wasn't typical. )
PS: On the train going home I was persuing the programme and I noticed that the late night Prom that followed had listed Rameau as the composer of Desert Music rather than Steve Reich.O Wort, du Wort, das mir Fehlt!
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Originally posted by antongould View PostThanks to Bax and others for wonderful reviews .....scarily for the first time in years I find I have a tickly cough!
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prom 36
Originally posted by Caliban View PostYES!
Finally, let's not criticise others musical preferences (personally I can't listen to Birtwistle Maxwell Davies et al) and if their tastes are dictated to by Classic FM then each to their own (unless ofcourse they think Andre Rieu brings anything to music!)
Sorry for lengthy first post. Next prom Sunday.
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Originally posted by pureimagination View PostHi, new to forum but wanted somewhere to vent my annnoyance/anger/wrath etc at inconsiderate audience members and praise orchestra conductor and soloist at last nights prom. Firstly the coughers, (the in between movement clappers are also an irritation but not all audience members are regular prom goers so you can't expect them to know the (perceived) etiquette), there is a note in the each prom programme (£4 i know!) that asks that people stifle coughing. Time for this to be added to the same in house announcement that asks for phones to go off etc. My enjoyment of the concert was not drastically ruined but the very quiet moments of Lark and Job were spoiled by coughs because you are listening so intently that any extra sound is distracting (including someone talking during Job). Janine Jansen did seem to give the latter part of Lark more space but it gave it a uniqueness that all performances should have. Always nice to hear the organ at the RAH so it's part in Job is duly noted as was the orchestra leaders violin solo in Job [sorry no name check - programme is at home]. Alwyn's Symphony 1 was nice to hear if not memorable.
Finally, let's not criticise others musical preferences (personally I can't listen to Birtwistle Maxwell Davies et al) and if their tastes are dictated to by Classic FM then each to their own (unless ofcourse they think Andre Rieu brings anything to music!)
Sorry for lengthy first post. Next prom Sunday.
Best Wishes,
Tevot
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Originally posted by pureimagination View Postwanted somewhere to vent my [Enter appropriate feelings]It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by pureimagination View Post...the orchestra leaders violin solo in Job [sorry no name check - programme is at home].
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Originally posted by pureimagination View PostHi, new to forum but wanted somewhere to vent my annnoyance/anger/wrath etc at inconsiderate audience members and praise orchestra conductor and soloist at last nights prom. Firstly the coughers, (the in between movement clappers are also an irritation but not all audience members are regular prom goers so you can't expect them to know the (perceived) etiquette), there is a note in the each prom programme (£4 i know!) that asks that people stifle coughing. Time for this to be added to the same in house announcement that asks for phones to go off etc. My enjoyment of the concert was not drastically ruined but the very quiet moments of Lark and Job were spoiled by coughs because you are listening so intently that any extra sound is distracting (including someone talking during Job)
PS were you in the same area as Simon B and me?"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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