........My Fair Lady may be appropriate??
Prom 21 - 2.08.14: Kiss Me, Kate
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clive heath
I've seen "Kiss Me Kate" at the Minack Theatre, Cornwall, a backdrop ( of cliffs and sea ) as about as far removed from the milieu of the setting(s) as it is possible to get. Terrific show from a company based in West London.
"According to the "Kinsey" report"? from "Too Darn Hot". Heard a version earlier this week where Kinsey had been changed to ?something else or maybe the line changes with the different verses.
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Roehre
Originally posted by Bert Coules View PostPersonally, I wish that most opera singers would put the same sort of emotional variety into their vocal delivery as the best musical performers. The cult of "beauty of line and tone before everything" is death to drama.
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For me, this Prom has been the highlight of the season so far. It's performed with genuine love compared with the mediocre, under rehearsed, going through the motions, let's get it over with as soon as possible so we can pay the mortgage that most of the classical people have given us so far.
Last edited by pastoralguy; 02-08-14, 20:14.
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Originally posted by pastoralguy View PostFor me, this Prom has been the highlight of the season so far. It's performed with genuine love compared with the mediocre, under rehearsed, going through the motions, let's get it over with as soon as possible so we can pay the mortgage that most of the classical people have given us so far.
It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by french frank View PostWill you be wanting your coat or can I take it to Oxfam?
Still, the Edinburgh Festival starts soon so maybe my enthusiasm will be re-kindled.
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Originally posted by french frank View PostI think you described it very well in your previous post. I think it's less of a prejudice than pure personal taste. So many musicals come over to me as saccherine, 'pleasant', musically vapid, emotionally heart-on-sleeve; while opera is blood-and-guts, fire, raw.
I
Light music is to me much like musicals ... I find it easy to accept that John Wilson's orchestrations are superlative, and the orchestral performances likewise. I just don't like them, and they don't interest me because the music doesn't. And, yes, of course it says more about me than about JW. And, no, there's no reason to think it 'sad': there is more than enough music that does interest me to fill all available hours for listening
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Originally posted by Pianorak View PostOperatic voices surely shouldn't be allowed near musicals.
I tend to regard Porter as essentially a great songwriter. Most of his musicals are no longer performed. We enjoyed Kiss Me Kate a while ago at the Victoria Palace. We hardly ever go to musicals, but the ones we have attended more recently have all been very good value in their different ways:
West Side Story at Sadlers Wells
Kurt Weill's Street Scene, Young Vic
Spamalot
Book of Mormon
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I, too, hugely enjoyed this Prom and only regret that we shan't see the DVD recording until the Festive Season. The 'Brush up your Shakespeare' routine should be a treat in itself judging by the rising enthusiasm of the audience reception.
Happy memories of Michael Blakemore's production of "Kate" at the Victoria Palace Theatre, circa 2002,with Marin Mazzie and Brett Barrett both so stylish in the leading roles.
In the meantime, I've recorded tonight's broadcast on minidisc - the big band sound is, in itself, quite luscious, indeed, thrilling. I've also set aside the 1990 EMI 2CD recording, John McGlinn/London Sinfonietta and Ambrosian Chorus; a veritable classy cast of Josephine Barstow, Thomas Hampson, Kim Criswell and George Dvorsky bringing style and vocal prowess to the performance.
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