Originally posted by amateur51
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Prom 75 - 7.09.13: Last Night of the Proms
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Originally posted by Petrushka View PostI've been to the Last Night a few times; Pritchard in 1989, Andrew Davis in 1991 and 1992 and Slatkin in 2001 among them. They had a good and substantial first half in those days with enough of a draw to pull in the punters. You could go home at the interval satisfied that you'd heard a good concert. We had Tatiana Nikolayeva playing Shostakovich and Gwyneth Jones in Wagner for instance. Nowadays it's just, as Salymap says, 'a mish-mash' with no coherence as a programme at all.
The Last Night of the Proms is a parody of itself and it's not only Roger Wright who doesn't know what to do with it. Does anyone?
I started a thread once asking: 'What DO you want for the LNotP?' Perhaps the thread needs resurrecting.
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Originally posted by Barbirollians View PostDidn't Ida Haendel play the Saint Saens 3 in 1989 ?"The sound is the handwriting of the conductor" - Bernard Haitink
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Originally posted by Petrushka View PostShe did indeed. Sir John Pritchard was very ill that night and died shortly afterwards. Indeed JP was so ill that the BBC were seriously concerned that he wouldn't make it to the end of the Prom and that came from Sir John Drummond backstage after the concert where I happened to be lurking.
Ida played her socks off as I recall - I am sure that is also available on You Tube .
Indeed , here it is ...http://www.youtube.com/watch?v=fJWnCn0GgG8
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Originally posted by Tony View PostNow,there's a wonderful piece and - to this day- I don't know why there was such a fuss about it!
anyway, mozzer would surely improve the LNP........I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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amac4165
Originally posted by Ferretfancy View PostIt's interesting that a large proportion of Prommers, those who have stood in the Arena for many nights, never go to the Last Night.This applies equally to season ticket holders who are entitled to go. In spite of the fact that they are supposed to be guaranteed entry, there is a complicated rigmarole with roll calls and name checks, and you still have to be there for hours beforehand.
There was a "lengthy" discussion last week about queue arrangements - the upshot was that for this year things remain the same - although next year I suspect they may change.
I as have said many many times to any one who will listen - they really need to go the way of the Vienna New Years Concert. A "popular" program of favorites (which get done anyway during the course of the season) overture - concerto - interval - symphony. After which "if requested" there might be some time left for encores which might just happen to be some old favorites.
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Anna
Originally posted by mercia View PostThe Trinidad March
http://www.bbc.co.uk/programmes/p01g67c4
(That last suggestion was not entirely serious!)
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OK, so the LNotP proceedings have begun, with Masquerade by Anna Clyne. It was OK, pretty audience-friendly, not too cluttered (the way Anna Meredith's froms was back in 2008 - granted, that's not difficult), even if the ending dragged out slightly, admittedly an odd thing to say for so short a piece. Might make a good concert opener on this side of the pond. On to Wagner now.....
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