Prom 75 - 7.09.13: Last Night of the Proms

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  • Zucchini
    Guest
    • Nov 2010
    • 917

    #31
    Originally posted by Flay View Post
    I cannot understand why jewellery should be of any relevance to a musical event. It is an unnecessary distraction.
    Mitsuko Uchida has a view on that:

    "...Vienna's famous Musikverein. No audience is closer. The only reason the piano doesn't fall off the platform there is because a narrow rim of wood holds it on stage. When you play at the top end of the keyboard you find yourself looking at the woman in the red dress jangling jewellery in the front row. Ninety-five per cent of the time there is always a woman in a red dress jangling jewellery in the front row. I've tried keeping one eye shut so I don't see it but that's quite awkward. That colour is very disturbing for a performer. It's what matadors wave to attract a bull."
    (interview in The Guardian)

    Lovely lady; I thought that was really funny.

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    • Nick Armstrong
      Host
      • Nov 2010
      • 26576

      #32
      Originally posted by Flay View Post
      It was only the first paragraph or so of the article.
      So far, so nauseating
      "...the isle is full of noises,
      Sounds and sweet airs, that give delight and hurt not.
      Sometimes a thousand twangling instruments
      Will hum about mine ears, and sometime voices..."

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      • french frank
        Administrator/Moderator
        • Feb 2007
        • 30534

        #33
        Originally posted by Zucchini View Post
        Mitsuko Uchida has a view on that:

        "...Vienna's famous Musikverein. No audience is closer. The only reason the piano doesn't fall off the platform there is because a narrow rim of wood holds it on stage. When you play at the top end of the keyboard you find yourself looking at the woman in the red dress jangling jewellery in the front row. Ninety-five per cent of the time there is always a woman in a red dress jangling jewellery in the front row. I've tried keeping one eye shut so I don't see it but that's quite awkward. That colour is very disturbing for a performer. It's what matadors wave to attract a bull."
        (interview in The Guardian)

        Lovely lady; I thought that was really funny.
        Yes, good she has a sense of humour about it. I hope her performance doesn't suffer from trying to keep one eye shut when she reaches the top end of the piano ...

        I find myself unwarming to JdiD, though
        It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

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        • mercia
          Full Member
          • Nov 2010
          • 8920

          #34
          it surprises me that performers (and the audience) don't object to that camerman walking up and down between the stage and the front rail at the proms - I would find that very distracting

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          • VodkaDilc

            #35
            Originally posted by mercia View Post
            it surprises me that performers (and the audience) don't object to that camerman walking up and down between the stage and the front rail at the proms - I would find that very distracting
            It's the camera on a crane looming up from the right ('cello) side of the platform that I find distracting. Not to mention the football stadium lights which are shone on the audience between works.

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            • Barbirollians
              Full Member
              • Nov 2010
              • 11791

              #36
              Why nothing substantial for di Donato to sing or for Nige to play ??

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              • VodkaDilc

                #37
                Originally posted by Barbirollians View Post
                Why nothing substantial for di Donato to sing or for Nige to play ??
                We wouldn't want to over-tax the audience.

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                • Alison
                  Full Member
                  • Nov 2010
                  • 6479

                  #38
                  Originally posted by VodkaDilc View Post
                  We wouldn't want to over-tax the audience.
                  Strangely enough by virtue of its very length I find LNP over-taxing!

                  Comment

                  • Petrushka
                    Full Member
                    • Nov 2010
                    • 12342

                    #39
                    I've been to the Last Night a few times; Pritchard in 1989, Andrew Davis in 1991 and 1992 and Slatkin in 2001 among them. They had a good and substantial first half in those days with enough of a draw to pull in the punters. You could go home at the interval satisfied that you'd heard a good concert. We had Tatiana Nikolayeva playing Shostakovich and Gwyneth Jones in Wagner for instance. Nowadays it's just, as Salymap says, 'a mish-mash' with no coherence as a programme at all.

                    The Last Night of the Proms is a parody of itself and it's not only Roger Wright who doesn't know what to do with it. Does anyone?

                    I started a thread once asking: 'What DO you want for the LNotP?' Perhaps the thread needs resurrecting.
                    "The sound is the handwriting of the conductor" - Bernard Haitink

                    Comment

                    • Serial_Apologist
                      Full Member
                      • Dec 2010
                      • 37886

                      #40
                      Originally posted by Petrushka View Post

                      I started a thread once asking: 'What DO you want for the LNotP?'
                      Cancellation

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                      • MrGongGong
                        Full Member
                        • Nov 2010
                        • 18357

                        #41
                        Originally posted by Serial_Apologist View Post
                        Cancellation
                        Panic

                        Comment

                        • Serial_Apologist
                          Full Member
                          • Dec 2010
                          • 37886

                          #42
                          Originally posted by MrGongGong View Post
                          Panic


                          Paul Clarvis can these days more usually be found playing jazz or improvised percussion in out-of-ways back pubrooms. He's a diamond geezer, our Paul.

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                          • Tony Halstead
                            Full Member
                            • Nov 2010
                            • 1717

                            #43
                            Originally posted by MrGongGong View Post
                            Panic
                            PANIC
                            Now,there's a wonderful piece and - to this day- I don't know why there was such a fuss about it!

                            Comment

                            • amateur51

                              #44
                              Originally posted by Serial_Apologist View Post
                              Cancellation
                              And if you can throw in the New Year's All-Male StraussFest from Vienna too I'll be made up

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                              • Petrushka
                                Full Member
                                • Nov 2010
                                • 12342

                                #45
                                Originally posted by Serial_Apologist View Post
                                Cancellation
                                Ah but if you cancel the LNotP you will have another LNotP to sort out!
                                "The sound is the handwriting of the conductor" - Bernard Haitink

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