Prom 75 - 7.09.13: Last Night of the Proms

Collapse
X
 
  • Filter
  • Time
  • Show
Clear All
new posts
  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20576

    Prom 75 - 7.09.13: Last Night of the Proms

    7.30pm – c. 10.40pm
    Royal Albert Hall

    Anna Clyne
    Masquerade (c5 mins)
    BBC Commission, World Premiere
    Wagner
    The Mastersingers of Nuremberg – overture (10 mins)
    Bernstein
    Chichester Psalms (19 mins)
    Vaughan Williams
    The Lark Ascending (12 mins)
    The Building of the House (5 mins)
    Bernstein
    Candide – 'Make our Garden Grow' (5 mins)
    Massenet
    Chérubin – 'Je suis gris! je suis ivre!' (2 mins)
    Handel
    Xerxes – 'Frondi tenere e belle ... Ombra mai fù' (4 mins)
    Rossini
    La donna del lago – 'Tanti affetti in tal momento!' (4 mins)
    INTERVAL
    Bernstein
    Candide – overture (5 mins)
    Verdi
    Nabucco – 'Va, pensiero' (Chorus of the Hebrew Slaves) (4 mins)
    Arlen
    Over the Rainbow (5 mins)
    Monti
    Csárdás (6 mins)
    Traditional
    Londonderry Air (Danny Boy) (4 mins)
    Rodgers
    Carousel – 'You'll never walk alone' (6 mins)
    Bantock
    Sea Reivers (4 mins)
    Lloyd
    HMS Trinidad March (4 mins)
    UK Premiere
    Arne
    Rule, Britannia! (7 mins)
    Elgar
    Pomp and Circumstance March No. 1 in D major ('Land of Hope and Glory') (6 mins)
    Parry
    orch. Elgar, Jerusalem (4 mins)
    Traditional
    The National Anthem (arr. Britten) (2 mins)

    Joyce DiDonato mezzo-soprano
    Nigel Kennedy violin
    BBC Symphony Chorus
    BBC Symphony Orchestra
    Marin Alsop conductor

    The Last Night begins with a celebratory new work by Anna Clyne and includes a rare performance of Britten's 1967 overture for chorus and orchestra, The Building of The House, a touch of Broadway magic and the sound of a glass ceiling being broken as Marin Alsop takes charge of her first Last Night. Nigel Kennedy and Joyce DiDonato are the star soloists in a programme that picks up sea-faring themes from Bantock and George Lloyd and includes a transatlantic flavour.
    Last edited by Eine Alpensinfonie; 30-08-13, 07:01.
  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20576

    #2
    7 minutes for "Rule Britannia".

    Comment

    • french frank
      Administrator/Moderator
      • Feb 2007
      • 30534

      #3
      Originally posted by Eine Alpensinfonie View Post
      7 minutes for "Rule Britannia".
      Plus encores?
      It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

      Comment

      • Eine Alpensinfonie
        Host
        • Nov 2010
        • 20576

        #4
        Silly me. I forgot.

        Comment

        • Alison
          Full Member
          • Nov 2010
          • 6479

          #5
          My, it looks so boring !

          Comment

          • BBMmk2
            Late Member
            • Nov 2010
            • 20908

            #6
            I have my own programme set up for this!
            Don’t cry for me
            I go where music was born

            J S Bach 1685-1750

            Comment

            • EdgeleyRob
              Guest
              • Nov 2010
              • 12180

              #7
              4 minutes of George Lloyd though ,thankful for small mercies.

              Comment

              • VodkaDilc

                #8
                Originally posted by Alison View Post
                My, it looks so boring !
                Isn't it only a few years ago that the first half always had some substantial works? Apart from Die Meistersinger and Chichester Psalms, it looks like something from Classic FM or Alan Keith's Sunday night programme. I'll try to catch those two pieces and then aim to get back to hear the Britten Nat Anth - the one version I enjoy.

                Comment

                • Alison
                  Full Member
                  • Nov 2010
                  • 6479

                  #9
                  Originally posted by EdgeleyRob View Post
                  4 minutes of George Lloyd though ,thankful for small mercies.
                  Soz, I hadn't noticed that ! Bet it's a brilliant tune !

                  Comment

                  • Alison
                    Full Member
                    • Nov 2010
                    • 6479

                    #10
                    Originally posted by VodkaDilc View Post
                    Isn't it only a few years ago that the first half always had some substantial works? Apart from Die Meistersinger and Chichester Psalms, it looks like something from Classic FM or Alan Keith's Sunday night programme. I'll try to catch those two pieces and then aim to get back to hear the Britten Nat Anth - the one version I enjoy.


                    Are Danny Boy and You'll Never walk Alone every year regulars now ?

                    Comment

                    • Mary Chambers
                      Full Member
                      • Nov 2010
                      • 1963

                      #11
                      Vaughan Williams didn't compose The Building of the House. It's Britten, an occasional piece written for the opening of The Maltings at Snape. It contains the line "This house shall stand through storm and stress" (something like that, anyway). It didn't mention fire. When The Maltings was rebuilt after the disastrous fire of 1969, they did not repeat the piece at the opening concert.

                      Comment

                      • Barbirollians
                        Full Member
                        • Nov 2010
                        • 11789

                        #12
                        The instrumental soloist is usually expected to play a concerto . Nigel Kennedy is getting away with just The Lark Ascending of all pieces .

                        He used to be a noted exponent of the Britten Concerto and I saw him play it for the first time in concert in Sheffield or that is what he told a violinist friend and me after the event when he signed our programmes . That would have surely been an appropriate piece this year for the last night and it should not have scared too many horses.

                        Comment

                        • salymap
                          Late member
                          • Nov 2010
                          • 5969

                          #13
                          Looks a mish-mash to me.

                          I shall look out some old CDs of ancient Last Nights. This is all gravy,no meat to me.

                          Comment

                          • Nick Armstrong
                            Host
                            • Nov 2010
                            • 26575

                            #14
                            Originally posted by salymap View Post
                            Looks a mish-mash to me.

                            I shall look out some old CDs of ancient Last Nights. This is all gravy,no meat to me.
                            Just looked at the last night programme for the first time - really boring. The combination of pieces and soloists is a total turn-off as far as I'm concerned. It's usually on somewhere in the house, I don't think it will be this year.
                            "...the isle is full of noises,
                            Sounds and sweet airs, that give delight and hurt not.
                            Sometimes a thousand twangling instruments
                            Will hum about mine ears, and sometime voices..."

                            Comment

                            • DracoM
                              Host
                              • Mar 2007
                              • 12995

                              #15
                              Ditto here.

                              Roger Wright doesn't know what the heck to do with the Last Night, never has, and it's gradually slipping into something indistinguishable from Proms in the Park intro by Wogan on R2. Which will be jollier to be honest. Mish-mash is spot on.

                              Comment

                              Working...
                              X