7.30pm – c. 9.50pm
Royal Albert Hall
Arvo Pärt
Cantus in memoriam Benjamin Britten (6 mins)
Britten
Violin Concerto (36 mins)
INTERVAL
Berlioz
Overture 'Le corsaire' (10 mins)
Saint-Saëns
Symphony No. 3 in C minor, 'Organ' (36 mins)
Janine Jansen violin
Thierry Escaich organ
Orchestre de Paris
Paavo Järvi conductor
The Cantus in memoriam Benjamin Britten was written by Arvo Pärt in response to his sense of loss for a composer he had never met but whose music he describes as possessing the "unusual purity" he himself sought as a composer. Britten's own Violin Concerto was written during the composer's war-time years in New York, "I feel so deeply about this piece...one experiences the incredible strength of it" says tonight's soloist Janine Jansen. In the second half of the concert Paavo Järvi leads his Orchestre de Paris in two French works: firstly the Mediterranean swagger of Berlioz's overture 'Le corsaire' and then the weight of full orchestra and organ in Saint-Saëns 'Third Symphony' which concludes a concert that journeys from Estonian introspection to Gallic extrovert display.
Royal Albert Hall
Arvo Pärt
Cantus in memoriam Benjamin Britten (6 mins)
Britten
Violin Concerto (36 mins)
INTERVAL
Berlioz
Overture 'Le corsaire' (10 mins)
Saint-Saëns
Symphony No. 3 in C minor, 'Organ' (36 mins)
Janine Jansen violin
Thierry Escaich organ
Orchestre de Paris
Paavo Järvi conductor
The Cantus in memoriam Benjamin Britten was written by Arvo Pärt in response to his sense of loss for a composer he had never met but whose music he describes as possessing the "unusual purity" he himself sought as a composer. Britten's own Violin Concerto was written during the composer's war-time years in New York, "I feel so deeply about this piece...one experiences the incredible strength of it" says tonight's soloist Janine Jansen. In the second half of the concert Paavo Järvi leads his Orchestre de Paris in two French works: firstly the Mediterranean swagger of Berlioz's overture 'Le corsaire' and then the weight of full orchestra and organ in Saint-Saëns 'Third Symphony' which concludes a concert that journeys from Estonian introspection to Gallic extrovert display.
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