Prom 52 - 21.08.13: Vir, Sibelius, Bantock & Elgar

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  • Nick Armstrong
    Host
    • Nov 2010
    • 26577

    #16
    Originally posted by HighlandDougie View Post
    I feel a few "Och, aye the noos", coming on
    I know of an excellent ointment that can help.




    Originally posted by HighlandDougie View Post
    Sakari Oramo might be the best Elgar conductor around at the moment


    His recording of the Enigma Variations with the CBSO (the "filler" for his 'Gerontius' but due to the singers, more impressive) is I think my favourite of all, certainly among recordings of the last 20 or 30 years...
    "...the isle is full of noises,
    Sounds and sweet airs, that give delight and hurt not.
    Sometimes a thousand twangling instruments
    Will hum about mine ears, and sometime voices..."

    Comment

    • BBMmk2
      Late Member
      • Nov 2010
      • 20908

      #17
      I hope that conductors, artists, orchestras, etc, will have a rethink of Sir Granville Bantock.
      Don’t cry for me
      I go where music was born

      J S Bach 1685-1750

      Comment

      • edashtav
        Full Member
        • Jul 2012
        • 3673

        #18
        POST POST! Elgar's Enigma Performed with Consummate Style and Affection

        Originally posted by Caliban View Post
        I know of an excellent ointment that can help.




        His recording of the Enigma Variations with the CBSO (the "filler" for his 'Gerontius' but due to the singers, more impressive) is I think my favourite of all, certainly among recordings of the last 20 or 30 years...
        That final comment of yours, Caliban caused me to "catch up" with the Enigma.What a marvellous interpretation with such insights into Elgar's ebb & flow. The balance between instrumental lines was often exquisite and Oramo feel for the work's overall structure was sure-footed. Those fleeting moments of doubt, of clouds crossing the skies, sounds of distant wars, and personal crises seemed to link across the variations to give the work a greater wholeness and intensity. A winning, almost magical performance. (Thank you, Caliban!)

        ORCHESTRA:
        CONDUCTOR :

        Comment

        • Nick Armstrong
          Host
          • Nov 2010
          • 26577

          #19
          Originally posted by edashtav View Post
          That final comment of yours, Caliban caused me to "catch up" with the Enigma.What a marvellous interpretation with such insights into Elgar's ebb & flow. The balance between instrumental lines was often exquisite and Oramo feel for the work's overall structure was sure-footed. Those fleeting moments of doubt, of clouds crossing the skies, sounds of distant wars, and personal crises seemed to link across the variations to give the work a greater wholeness and intensity. A winning, almost magical performance. (Thank you, Caliban!)

          ORCHESTRA:
          CONDUCTOR :


          I heard the Proms performance with half an ear but I have it recorded and shall give it a proper listen.

          Do try and seek out the CBSO performance, ed.
          "...the isle is full of noises,
          Sounds and sweet airs, that give delight and hurt not.
          Sometimes a thousand twangling instruments
          Will hum about mine ears, and sometime voices..."

          Comment

          • cloughie
            Full Member
            • Dec 2011
            • 22218

            #20
            Sibelius VC is a work I had tired of but the combination of Batiashvili's playing and Oramo's Sibelius intuition revived the work for me. Oramo's appointment was one of the best decisions the BBC have made in a good while.

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            • Pabmusic
              Full Member
              • May 2011
              • 5537

              #21
              Originally posted by Caliban View Post


              I..Do try and seek out the CBSO performance, ed.

              I'll second that. It's a lovely performance.

              Comment

              • mrbouffant
                Full Member
                • Aug 2011
                • 207

                #22
                Originally posted by Caliban View Post
                I am agog to know whether the experience was sufficient to compensate for the outrage of mrsbouffant.....
                Oh, for sure. Thoroughly enjoyed the concert. The Vir was a skilful experiment in texture and orchestration. However, was it music? Not sure. I like a big tune, and I didn't hear one in that piece.

                The Sibelius, as many have said already, was sublime. Not sure I agreed with the yobbish, football-match style, shouting from behind me in Choir West at its conclusion.

                In the second half the Bantock was given a decent performance. It's not the most deeply-thought of works, but a favourite of mine all the same.

                I really enjoyed the Enigma Vars.. all the little character quirks which I'd read about and never really noticed before in the variations were brought skilfully to the fore.

                Where I was sat there was, throughout the latter part of the second half of the concert, a faint electronic ringing sound which I first took to be a mobile phone. However, it seemed to last for 20 minutes + and I wondered in the end if it was some kind of weird feedback or something. Very queer.

                The only downside for me at this concert was the young lad behind me who kicked my chair about 30+ times in each half. Despite encouraging his parents (sat either side) to ensure their progeny controlled his limbs, they seemed unable or unwilling to do so. Very annoying. The father had a particularly loud voice and strong opinions on each piece which he shared with his bemused son. I am not sure my 7-year old would understand it if I described the Bantock as lugubrious.

                Comment

                • Nick Armstrong
                  Host
                  • Nov 2010
                  • 26577

                  #23
                  Sartre was right. L'enfer, c'est les autres...

                  V pleased you had a great time notwithstanding!
                  "...the isle is full of noises,
                  Sounds and sweet airs, that give delight and hurt not.
                  Sometimes a thousand twangling instruments
                  Will hum about mine ears, and sometime voices..."

                  Comment

                  • mercia
                    Full Member
                    • Nov 2010
                    • 8920

                    #24
                    followed Enigma using an online score for the first time, and was intrigued to see the time signature of Var. VII, a simple 1, one semibreve to a bar - I wondered if this was fairly unique for the time [if you can have 'fairly unique']

                    Comment

                    • teamsaint
                      Full Member
                      • Nov 2010
                      • 25235

                      #25
                      Originally posted by mercia View Post
                      followed Enigma using an online score for the first time, and was intrigued to see the time signature of Var. VII, a simple 1, one semibreve to a bar - I wondered if this was fairly unique for the time [if you can have 'fairly unique']
                      Which online score did you follow Mercia?

                      "Fairly unique" is partially ubiquitous these days !!
                      I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

                      I am not a number, I am a free man.

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                      • mercia
                        Full Member
                        • Nov 2010
                        • 8920

                        #26
                        Originally posted by teamsaint View Post
                        Which online score did you follow Mercia?
                        this piano reduction - I would have followed a full-score except it won't all fit onto my computer screen

                        Comment

                        • Pabmusic
                          Full Member
                          • May 2011
                          • 5537

                          #27
                          Originally posted by mercia View Post
                          followed Enigma using an online score for the first time, and was intrigued to see the time signature of Var. VII, a simple 1, one semibreve to a bar - I wondered if this was fairly unique* for the time [if you can have 'fairly unique']
                          The only precedent I know of is the scherzo of Borodin's 2nd, which is in 1/1 (there's no way that Elgar would have known it in 1898).

                          * 'Almost unique' might have been better.

                          Comment

                          • ferneyhoughgeliebte
                            Gone fishin'
                            • Sep 2011
                            • 30163

                            #28
                            Originally posted by teamsaint View Post
                            "Fairly unique" is partially ubiquitous these days !!
                            [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                            Comment

                            • mercia
                              Full Member
                              • Nov 2010
                              • 8920

                              #29
                              thanks pab, and my grammar corrected too - two for the price of one

                              the other small thing that surprised me, if I can put it into words, was Var. X, that little four-note figure in the woodwind replying to the strings, in the piano reduction score is written as four equal notes, which isn't how it is ever played

                              but I think in the full score there's a line over the first of the four notes, making it longer [but it always sounds as if it is twice as long as the other three notes]

                              Comment

                              • amateur51

                                #30
                                Originally posted by teamsaint View Post
                                "Fairly unique" is partially ubiquitous these days !!

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