What did you think of Vilde Frang ? Her recording of the Nielsen and Tchaikovsky Concertos I thought was excellent .
Prom 31 - 6.08.13: Walton, Rubbra, Bruch & Korngold
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Voices of Patriotism and Exile
Originally posted by pilamenon View PostA splendid 'Orb and Sceptre' to kick off an excellent first half. I'm not fussed about the programme making some kind of historical or other sense - but it was interesting to juxtapose two Coronation pieces, and why not have a crowd-pleaser to follow? Very impressed that the announcer knew the encore.
The first movement did sound to me like an extended intro of themes in a black and white thriller, and none the worse for it. It didn't hold my attention so consistently after that, but good to hear a less well known symphony given pride of place.
I've been a Rubbra fan since the '60s when I discovered an ample supply of Lengnick miniature scores of his symphonies, all for sale at ridiculously low prices in a lovely old music shop, I think it was called Joseph Pass, tucked away behind Birmingham's Anglican Cathedral. The scores were not fully typeset but were reproductions from scores written out by a master copyist. They were beautiful objects and over the next two decades, as I gradually heard broadcasts of the works, I found that the music had a luminous, almost timeless appeal, as well. Rather a long preface to the short suite for soprano and orchestra "Ode to the Queen" heard this evening. It's public music by a private man, and I feel an atypical utterance. Not until its final movement did I hear the true voice of Edmund Rubbra. Earlier, I heard a flourish for an occasion in the first movement which was far too heavily scored to balance one lonely soprano. But... how well, Susan Bickley coped with the fusillades of sound all around her. The middle movement was less hectic but remained impersonal.
I can't comment fairly on the Bruch as I broke off after half a movement to eat. What I heard was good.
The Korngold shone with belief from orchestra and conductor. There were no half measures. The snap, crackle and pop that I missed in the Walton were present, and the work emerged as a decent memorial to the Austrian symphonic tradition. Korngold was a master orchestrator and that skill energised the scherzo. The intense adagio that followed was full of angst. It could have been a memorial to Anton Bruckner. Equally, it might have been a requiem to the composer that Korngold might have become if he had not been displaced from Europe and forced to make a living in Hollywood. It was played with intensity and made a big impact upon me. A good work to programme at the Proms for it needs plenty of rehearsal and real conviction. I thought it sounded at home in the vast spaces of the Royal Albert Hall. Thank you to all concerned.
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Originally posted by Sir Velo View PostI take it Katie D wasn't on duty last night?
That's by the by.
Nice piece on Rubbra by "Overgrown Path" on his blog this morning:
Last night's BBC Proms performance of Edmund Rubbra's Ode to the Queen was the first time his music has been heard at a Prom for twelve yea...
And if anyone has not yet tackled any of the symphonies here's the 4th that is recommended.
O Wort, du Wort, das mir Fehlt!
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Originally posted by Bax-of-Delights View PostSometimes I suspect KD is disappointed if she isn't able to over-express her foreign names. You can't do much with Malcolm Arnold but give her a GIAcommmmo PUcciiiiiiiini and she's all giggled up."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Bax-of-Delights View Post
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I have an idea for the BBC inspired by a mix of Castaway and Desert Island Discs
Abandon Petroc and Katie D on a desert island for 6 months with just 8 discs and a wind up gramophone and a camcorder .
It might not make much of a programme but it would be a blessed relief for radio 3 listeners .
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Originally posted by edashtav View PostI've been a Rubbra fan since the '60s when I discovered an ample supply of Lengnick miniature scores of his symphonies, all for sale at ridiculously low prices in a lovely old music shop, I think it was called Joseph Pass, tucked away behind Birmingham's Anglican Cathedral. The scores were not fully typeset but were reproductions from scores written out by a master copyist. They were beautiful objects and over the next two decades, as I gradually heard broadcasts of the works, I found that the music had a luminous, almost timeless appeal, as well.
Exactly the right word to describe these glorious works, ed. I envy your possessing scores: when you can find them at all these days, they want very high prices for them (same with Martinu's).[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by Barbirollians View PostAbandon Petroc and Katie D on a desert island for 6 months with just 8 discs and a wind up gramophone and a camcorder .[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by Barbirollians View PostI have an idea for the BBC inspired by a mix of Castaway and Desert Island Discs
Abandon Petroc and Katie D on a desert island for 6 months with just 8 discs and a wind up gramophone and a camcorder .
It might not make much of a programme but it would be a blessed relief for radio 3 listeners .
Let's have Ananova introducing the proms or even HAL.
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Originally posted by Barbirollians View PostI have an idea for the BBC inspired by a mix of Castaway and Desert Island Discs
Abandon Petroc and Katie D on a desert island for 6 months with just 8 discs and a wind up gramophone and a camcorder .
It might not make much of a programme but it would be a blessed relief for radio 3 listeners .
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