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Bit annoyed they are off the menu this year. Anyone know if they are not liked by the intellectuals? Will they come back?They were represented by a twee version a few years ago, which I did not like.
Bit annoyed they are off the menu this year. Anyone know if they are not liked by the intellectuals? Will they come back?They were represented by a twee version a few years ago, which I did not like.
Blame me for their variable presence. I made such a song and dance about the politically correct extra bits by Bob Chilcott, which simply would not go away. A year later, the whole set was omitted from the Last Night, which had not been my intention.
In these days of authenticity, it's ironic that all and sundry feel qualified to add and subtract from the Sea Songs. I think I'd rather do without than have edited highlights or, even worse, unauthorised additions. (see Eine Alpen above.)
I don't mind very much. The Wood Seasongs was written for the centenary of Trafalgar and is associated with the Proms only because Sir Henry began including it whenever possible - first night as well. It became a Last Night fixture only in Sargent's time.
I was always annoyed (right from the age of 9 or ten) that there's just one genuine sea (folk) song - Spanish Ladies - among the Georgian and Victorian ballads and garnerings from the classics! At least Jack's the Lad is genuine too.
Well, I'd be a bit annoyed if things stayed the same every year. I'm sure the Sea Songs will be back (but will we get 'Spanish Ladies'?).
I quite like the idea of having a bit that doesn't change. Otherwise, given time and the general direction of thought in the arts, you will have Smack My Bitch up on the Last Night.
I quite like the idea of having a bit that doesn't change. Otherwise, given time and the general direction of thought in the arts, you will have Smack My Bitch up on the Last Night.
I quite like the idea of having a bit that doesn't change. Otherwise, given time and the general direction of thought in the arts, you will have Smack My Bitch up on the Last Night.
That's not a work I'm familiar with. I've been at Last Nights that featured works as varied as Peter Maxwell Davies' Orkney Wedding, with Sunrise, Harrison Birtwistle's Panic, and Malcolm Arnold's A Grand, Grand Overture, and I don't see, in principle, why other works should be excluded.
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