The 2013 listings are up on the website !
The actual Proms programme 12 July - 7 September
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Hmm. Not a single piece by Berg/Webern/Schoenberg whose music I'm just discovering along with Wagner. Lots of the latter, though. Tristan und Isolde looks tempting. I was also hoping for more Strauss - a few pieces, but not very thrillingly juxtapositioned, alas.
A surprising amount of DSCH. Fans of British composers should be happy, too, though again, not some of the Britten works I was hoping for.
Bamberger Orchestra/Nott in Mahler 5 could be exhilarating, though. And Janssons in Mahler 2.It loved to happen. -- Marcus Aurelius
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Just had a look, some very odd programming, a tad too many light proms. A number of bits (but not his best) by Bantock as RW's usual carrots to the British music lovers, Tippett's 2nd Symphony (one positive piece at least). Of the anniversary composers, total overkill on Wagner, appalling treatment of Verdi, Britten probably about right, but perhaps a little less than expected, Poulenc just one chamber piece, Hindemith & K A Hartmann, not a note, which in the former's case in particular is an absolute disgrace!
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No Moeran or Bax.
Bantock does get his Sappho Poem for cello aired and George Lloyd has the Requiem but most of the other British composers get shovelled into the "Light Music" or " Light Organ" prom.
As Thropplenogin posted: What NO Berg, Schoenberg or Webern?O Wort, du Wort, das mir Fehlt!
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Originally posted by aeolium View PostNo Haydn (and not much at all IIRC since the anniversary year of 2009 - perhaps a couple of London symphonies). Haydn has not been fortunate with R3 and Proms Controllers at least in recent decades - Drummond for instance opined that the British had never taken to him.It loved to happen. -- Marcus Aurelius
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Three different Wotans, two Siegfrieds and two Brünnhildes is a bit of a shame. And scheduling Tristan between Siegfried and Götterdämmerung on three successive nights is downright peculiar.
Edited to add:
Please ignore "two Brünnhildes" - a complete mistake on my part. It's still a shame about the rest, though.Last edited by Bert Coules; 18-04-13, 15:25.
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Originally posted by Bert Coules View PostThree different Wotans, two Siegfrieds and two Brünnhildes is a bit of a shame. And scheduling Tristan between Siegfried and Götterdämmerung on three successive nights is downright peculiar."I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square."
Lady Bracknell The importance of Being Earnest
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Not greatly enthused so far. Side stalls seats for all of Barenboim's Ring come to £216 and there's only a couple more 'must go' Proms for me. Half a dozen Proms will cost as much as twice that number from previous seasons.
Scheduling Tristan in the middle of the Ring does seem odd but expense will rule it out anyway unless I prom."The sound is the handwriting of the conductor" - Bernard Haitink
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have seat prices gone up a lot?
I prom if I go, so I don't usually bother looking.
Some interesting looking concerts, but I suppose there ought to be in a programme of that size.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Yes, that's pricey but happily the fact that it's being conducted by Barenboim means that I'm not tempted to pay up to see that Ring: I don't care for his Wagner.Last edited by Bert Coules; 18-04-13, 16:25.
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