Prom 62 (29.8.12): Eric Whitacre

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20573

    Prom 62 (29.8.12): Eric Whitacre

    Wednesday 29 August 10.15 p.m.
    Royal Albert Hall

    Bernstein: Warm-Up (2 mins)
    Eric Whitacre: Alleluia (9 mins)
    Eric Whitacre: Leonardo Dreams of His Flying Machine (9 mins)
    J. S. Bach: Bach Again (arr. E. London) (5 mins)
    Eric Whitacre: Higher, Faster, Stronger (c8 mins) BBC Commission, World Premiere
    Imogen Heap: The Listening Chair (arr. E. Whitacre) (c5 mins) - World Premiere
    Traditional: Three Spirituals (arr. M. Hogan) (9 mins)
    Eric Whitacre: Cloudburst (9 mins)
    Eric Whitacre: Sleep (5 mins)

    Imogen Heap vocals
    Ensemble Bash
    BBC Singers
    Eric Whitacre Singers
    Eric Whitacre conductor

    American composer Eric Whitacre has written some of the most widely sung, ravishingly scored, and greatly talked-about choral music of the last few years - especially through the pieces performed by his online Virtual Choir. Tonight his own choral group joins forces with the BBC Singers for a feast of music mainly by Whitacre himself.

    The Prom includes several of the composer's best-known pieces plus two new works, and also includes music by Leonard Bernstein together with three classic spiritual arrangements by Moses Hogan - both of them fellow countrymen. With the rich acoustics of the Albert Hall, and the thrilling sound of the 48-voice combined choirs, this will be a choral feast of a concert.
    Last edited by Eine Alpensinfonie; 26-08-12, 11:10.
  • edashtav
    Full Member
    • Jul 2012
    • 3672

    #2
    Has a late-night Prom audience ever been so lively or filled with such joy?

    Eric Whitacre is a great communicator and he knows how to string together a winning programme.

    This concert was stunning
    and the response in the Hall suggested that Whitacre had not only brought his singers with him but had spent several years of royalties on importing his Whitacrowd...

    Of course, he hadn't, but it was great to hear such an instant bond between composer-conductor, choirs and audience. It was a tonic!

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