Prom 18 (27.7.12): Beethoven Cycle – Symphony No. 9, 'Choral'

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  • Petrushka
    Full Member
    • Nov 2010
    • 12315

    #76
    I was in the hall for this and after several years of disappointing or indifferent 9ths this one was up there with VPO/Abbado in 1987 and Chicago SO/Solti in 1996 for sheer memorability. A great evening and fully deserving the huge ovation it received (which went on for longer than the Adagio).

    Yes, there were times when it seemed slow yet paced in such a way that the first movement outburst was properly cataclysmic. The singing of the National Youth Chorus was utterly wonderful in the finale. I've attended all the WEDO/Barenboim from the 5th and 6th on and have thoroughly enjoyed them. The two Boulez items that accompanied the 5th and 6th didn't really work but loved Anthemes 2 between the 8th and 7th. It sounded mesmerising in the hall.
    "The sound is the handwriting of the conductor" - Bernard Haitink

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    • sebrof

      #77
      I am afraid I stopped listening. Far too slow, and rather flabby, in my view.

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      • BBMmk2
        Late Member
        • Nov 2010
        • 20908

        #78
        I thought db has done a great job with these symphnies. I certainly liked the way he let the orchestra do their 'own thing', at various points.

        NB Thank you to JoihnSkelton
        Last edited by BBMmk2; 29-07-12, 08:10.
        Don’t cry for me
        I go where music was born

        J S Bach 1685-1750

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        • JohnSkelton

          #79
          Originally posted by Brassbandmaestro View Post
          these dymphnies
          Dymphnies, as they are called, are devotees of Saint Dymphna, 'Patron of Victims of Nervous Disorders'.

          Not many people know all that, especially as I made up the first bit.

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          • zola
            Full Member
            • May 2011
            • 656

            #80
            Trivial coment time. Does anyone else think that the TV producer for these Barenboim symphonies was besotted with the over emoting Julia Louis-Dreyfus lookalike on clarinet who seemed to almost get as much screen time as the conductor ?

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            • Hornspieler

              #81
              Originally posted by zola View Post
              Trivial coment time. Does anyone else think that the TV producer for these Barenboim symphonies was besotted with the over emoting Julia Louis-Dreyfus lookalike on clarinet who seemed to almost get as much screen time as the conductor ?
              Maybe the camera operator was being tested out for a permanent appointment. " ... If you can follow that, you've got the job!"

              HS

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              • Il Grande Inquisitor
                Full Member
                • Mar 2007
                • 961

                #82
                I felt that in this performance Barenboim was aiming at something the WEDO couldn't quite deliver, until midway through the finale when it finally took off:

                Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....

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