Prom 9 (20.7.12): Beethoven Cycle – Symphonies Nos. 1 & 2

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  • David-G
    Full Member
    • Mar 2012
    • 1216

    Originally posted by Ariosto View Post
    We can believe that certain things happened, but we can't conjure up the sound they made in the past, simply because we do not know how they did it, and even if we did know, we still can't be certain that it resulted in the sort of HIPP sound that we hear now. That is why when the HIP people claim to be authentic, I find them arrogant. And titles such as "Orchestra of the Age of Enlightenment" are equally arrogant, especially as I've heard them play as individuals, and they are (in my opinion) pretty dire. (I think Mozart, Haydn et al would have kicked them out of the room).
    The title "Orchestra of the Age of Enlightenment" is not arrogant, it is just a name.

    If you find the OAE dire, that is so far removed from my perception of them that I cannot give much credence to your argument.

    Comment

    • Eine Alpensinfonie
      Host
      • Nov 2010
      • 20570

      The OAE did a superb job with Das Rheingold in the Proms Ring Cycle of a few years ago. Conducted by Sir Simon Rattle, they used masses of vibrato.

      Comment

      • JohnSkelton

        Orchestra of the Age of Enlightenment was originally related to / vaguely descriptive of the period of music they (originally) specialised in - from Vivaldi, Bach to Haydn / Mozart / early Beethoven and to contemporaneous Enlightenment philosophy etc. I suppose the fact they now play music of the un-Enlightenment (Wagner) might be something critics of the idea of HIPP would look at (at the least some 'modern' orchestras could probably point to their own C19 continuities, like the Viennese or the Dresden orchestras).

        Comment

        • Hornspieler

          Originally posted by Ariosto View Post
          In fact very few contemporary violinists, cellists or viola wallahs play with steel strings. Usually those that do have a reason, i.e. very sweaty hands.

          Mostly it is alluminium covered gut or synthetic cores. Some even use pure gut on a modern setup.

          Just a few facts to set the record straight.
          I believe that Max Rostal was the last of the (British) violinists to play on steel strings. (and I thought the result was exscreechiating.)

          As we have all forgotten, apparently, that this thread is supposed to be about a performance at this year's proms, I feel justified in making a cheap joke.

          Let's move on. The Choral symphony looms threateningly closer, hour by hour.

          HS

          Comment

          • Hornspieler



            Utter Tosh!

            Sir Thomas Beecham summed it up better than I can:

            “The music critic has read more, heard more artists and attended more concerts than most
            of us. The one thing his competence does not extend to is the ability to perform. He is
            a musical eunuch.”

            Comment

            • amateur51

              Originally posted by Hornspieler View Post
              http://www.telegraph.co.uk/culture/m...ll-review.html

              Utter Tosh!

              Sir Thomas Beecham summed it up better than I can:

              “The music critic has read more, heard more artists and attended more concerts than most
              of us. The one thing his competence does not extend to is the ability to perform. He is
              a musical eunuch.”
              You don't seem to realise that your posts on this Board are that of a critic too, Hornspieler.

              Don't be too hard on yourself

              Comment

              • Hornspieler

                Originally posted by amateur51 View Post
                You don't seem to realise that your posts on this Board are that of a critic too, Hornspieler.

                Don't be too hard on yourself
                I think most people would agree that there is a marked difference between expressing one's reaction to a performance amongst one's friends and colleagues and being paid to write a review of a concert for the elucidation and enlightenment of thousands* of newspaper readers.

                HS

                * probably more likely in the hundreds in these days of public indifference
                Last edited by Guest; 27-07-12, 18:34.

                Comment

                • Nick Armstrong
                  Host
                  • Nov 2010
                  • 26524

                  Originally posted by Hornspieler View Post
                  HS

                  * probably more likely in the hundreds in these days of pblic indifference
                  Glad it was the 'u' you missed out and not the 'l', HS...

                  "...the isle is full of noises,
                  Sounds and sweet airs, that give delight and hurt not.
                  Sometimes a thousand twangling instruments
                  Will hum about mine ears, and sometime voices..."

                  Comment

                  • amateur51

                    Originally posted by Hornspieler View Post
                    I think most people would agree that there is a marked difference between expressing one's reaction to a performance amongst one's friends and colleagues and being paid to write a review of a concert for the elucidation and enlightenment of thousands* of newspaper readers.

                    HS

                    * probably more likely in the hundreds in these days of pblic indifference
                    Oh you're too modest HS




                    [not something I ever thought I'd find myself tryping ]

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