Prom 5 (17.7.12): Strauss, Saariaho & Sibelius

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20576

    Prom 5 (17.7.12): Strauss, Saariaho & Sibelius

    Tuesday 17 July at 7.30 p.m.
    Royal Albert Hall

    R. Strauss: Also sprach Zarathustra (32 mins)
    R. Strauss: Four Last Songs (22 mins)
    Kaija Saariaho: Laterna magica (22 mins) - UK Premiere
    Sibelius: Symphony No. 7 in C major (23 mins)

    Anne Schwanewilms soprano
    BBC Philharmonic
    Juanjo Mena conductor
  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20576

    #2
    Definitely my kind of concert, though very few singers ever live up to my ideal in Strauss's late cycle.

    Comment

    • ferneyhoughgeliebte
      Gone fishin'
      • Sep 2011
      • 30163

      #3
      Originally posted by Eine Alpensinfonie View Post
      Definitely my kind of concert, though very few singers ever live up to my ideal in Strauss's late cycle.


      An introduction to the Saariaho piece by the composer herself is here:
      On May 23, Franz Welser-Möst leads The Cleveland Orchestra in a performance of the New York premiere of Kaija Saariaho's "Laterna magica."Here, Carnegie Hal...


      ... and a taster of one of her recent orchestral pieces for anyone who's never heard her work:
      [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

      Comment

      • Petrushka
        Full Member
        • Nov 2010
        • 12346

        #4
        Originally posted by Eine Alpensinfonie View Post
        Definitely my kind of concert, though very few singers ever live up to my ideal in Strauss's late cycle.
        Anne Schwanewilms' performance of the Strauss Four Last Songs appeared on a BBCMM CD a year or two back and in my view she most definitely has the right voice. A beautiful performance.
        "The sound is the handwriting of the conductor" - Bernard Haitink

        Comment

        • Eine Alpensinfonie
          Host
          • Nov 2010
          • 20576

          #5
          In that case this is a concert not to be missed.

          Comment

          • amateur51

            #6
            Originally posted by ferneyhoughgeliebte View Post


            An introduction to the Saariaho piece by the composer herself is here:
            On May 23, Franz Welser-Möst leads The Cleveland Orchestra in a performance of the New York premiere of Kaija Saariaho's "Laterna magica."Here, Carnegie Hal...


            ... and a taster of one of her recent orchestral pieces for anyone who's never heard her work:
            http://www.youtube.com/watch?v=9ZA4q...eature=related
            Many thanks for this ferney - what an interesting person & an interesting piece

            Comment

            • Serial_Apologist
              Full Member
              • Dec 2010
              • 37890

              #7
              Very strange programming, this concert!

              Many people who love Strauss can't stand Sibelius; and vice versa.
              And in probability many who love either Strauss or Sibelius would hate the modernism of Saariaho.

              Comment

              • Eine Alpensinfonie
                Host
                • Nov 2010
                • 20576

                #8
                But does that really matter? Should the BBC divide the Proms into segments - a Breakfast/CFM concert on one day, followed by a Boulez-style concert on another. I think a sensible mix is always better. How else will many of the concert-going public learn new music? I know - it's up to them - but surely concert promoters can give a little push now and then.

                Comment

                • ferneyhoughgeliebte
                  Gone fishin'
                  • Sep 2011
                  • 30163

                  #9
                  Originally posted by Eine Alpensinfonie View Post
                  But does that really matter? Should the BBC divide the Proms into segments - a Breakfast/CFM concert on one day, followed by a Boulez-style concert on another. I think a sensible mix is always better. How else will many of the concert-going public learn new music? I know - it's up to them - but surely concert promoters can give a little push now and then.
                  Yes, and the premiere of Schoenberg's Five Orchestral Pieces appeared in this programme:

                  Engelbert Humperdinck - Hänsel und Gretel
                  Bizet - Carmen, Suite No. 1
                  Bizet - Carmen, Suite No. 2
                  Saint-Saëns - Samson et Dalila
                  Gounod - Hymne à Sainte Cécile
                  Schoenberg - Five Orchestral Pieces, Op. 16
                  Mendelssohn - Concerto for Piano No. 1 in G minor, Op 25
                  Brahms - Hungarian Dance No. 5 in G minor: Allegro, WoO 1.5 (orch. Albert Parlow)
                  Brahms - Hungarian Dance No. 6 in D major: Vivace, WoO 1.6 (orch. Albert Parlow)
                  William Aiken - Sigh no more, ladies (arr. Henry Wood)
                  William Aiken - Shall I compare thee to a summer's day? (arr. Henry Wood)
                  Wagner - Huldigungsmarsch, WWV 97
                  Granville Bantock - Comedy Overture 'The Pierrot of the Minute'
                  John Hullah - Three fishers went sailing
                  Graham Peel - In summertime on Bredon
                  Léo Délibes - Coppélia


                  [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                  Comment

                  • Petrushka
                    Full Member
                    • Nov 2010
                    • 12346

                    #10
                    Originally posted by Serial_Apologist View Post
                    Very strange programming, this concert!

                    Many people who love Strauss can't stand Sibelius; and vice versa.
                    And in probability many who love either Strauss or Sibelius would hate the modernism of Saariaho.
                    Then there are those like me who love all three!

                    Actually, it was programming like this that broadened my musical knowledge no end when I was first getting to grips with classical music in the very early 1970's.
                    "The sound is the handwriting of the conductor" - Bernard Haitink

                    Comment

                    • Roehre

                      #11
                      Originally posted by Petrushka View Post
                      Then there are those like me who love all three!

                      Actually, it was programming like this that broadened my musical knowledge no end when I was first getting to grips with classical music in the very early 1970's.
                      That makes two of us Petrushka

                      Comment

                      • Roehre

                        #12
                        During the interval the fragments said to be from Sibelius 8 will be performed and AFAIK discussed

                        Comment

                        • Barbirollians
                          Full Member
                          • Nov 2010
                          • 11801

                          #13
                          A fascinating programme I reckon.

                          Comment

                          • Nick Armstrong
                            Host
                            • Nov 2010
                            • 26584

                            #14
                            Originally posted by Roehre View Post
                            During the interval the fragments said to be from Sibelius 8 will be performed and AFAIK discussed

                            I'd flagged this elsewhere then properly forgot - have now set to record

                            Many thanks for the renewed reminder
                            "...the isle is full of noises,
                            Sounds and sweet airs, that give delight and hurt not.
                            Sometimes a thousand twangling instruments
                            Will hum about mine ears, and sometime voices..."

                            Comment

                            • Richard Tarleton

                              #15
                              Prom 5

                              Whatever happened during Beim Schlafengehen?

                              Comment

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