Prom 4 (16.7.12): Respighi, Ravel and Adams

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20575

    Prom 4 (16.7.12): Respighi, Ravel and Adams

    Monday 16 July at 7.30 p.m.
    Royal Albert Hall

    Respighi: Roman Festivals (22 mins)
    Ravel: Piano Concerto in G major (22 mins)
    John Adams: City Noir (34 mins)

    Imogen Cooper piano
    Juilliard Orchestra
    Orchestra of the Royal Academy of Music
    John Adams conductor
  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20575

    #2
    A very interesting concert, though as a greedy person, I would say it's rather short. The Ravel was a work I first heard in 1971 at the RAH with Bernstein playing the piano with a conductorless VPO.

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    • teamsaint
      Full Member
      • Nov 2010
      • 25226

      #3
      Originally posted by Eine Alpensinfonie View Post
      A very interesting concert, though as a greedy person, I would say it's rather short. The Ravel was a work I first heard in 1971 at the RAH with Bernstein playing the piano with a conductorless VPO.
      Completely agree. Interesting programme but I am constantly surprised at the brevity of many concerts.
      I would be interested to know how programmes today compare in length to those of, say, 30 or 50 years ago.
      I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

      I am not a number, I am a free man.

      Comment

      • Extended Play

        #4
        Originally posted by teamsaint View Post
        Completely agree. Interesting programme but I am constantly surprised at the brevity of many concerts.
        I would be interested to know how programmes today compare in length to those of, say, 30 or 50 years ago.
        Short measure indeed, compared with 50 years ago:

        Comment

        • Extended Play

          #5
          Originally posted by Extended Play View Post
          Short measure indeed, compared with 50 years ago:

          www.bbc.co.uk/proms/archive/search/1950s/1957
          Was always hopeless with maths. Here's the link to exactly 50 years ago. Just look, for example, at Proms 15, 33 and 35 -- but really, any one of the season would point up the comparison with today.



          Have just looked at the programme list again -- it's pointless to single out any one concert: all amazing
          Last edited by Guest; 05-07-12, 20:33. Reason: Too much choice in 1962 Proms!

          Comment

          • teamsaint
            Full Member
            • Nov 2010
            • 25226

            #6
            certainly interesting to look back at old listings. In general they look roughly as adventurous as now, but the concerts are good deal shorter now. If that is correct, I wonder why ?
            Last edited by teamsaint; 07-07-12, 13:16.
            I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

            I am not a number, I am a free man.

            Comment

            • BBMmk2
              Late Member
              • Nov 2010
              • 20908

              #7
              Economic factors?
              Don’t cry for me
              I go where music was born

              J S Bach 1685-1750

              Comment

              • mercia
                Full Member
                • Nov 2010
                • 8920

                #8
                looking at some of those 1950s/60s seasons one wonders how the BBCSO found time to rehearse all those works
                or perhaps they didn't need to

                Comment

                • Osborn

                  #9
                  Any later & you may not get home by public transport - my last train from London is C9.30pm

                  Comment

                  • Ferretfancy
                    Full Member
                    • Nov 2010
                    • 3487

                    #10
                    Originally posted by mercia View Post
                    looking at some of those 1950s/60s seasons one wonders how the BBCSO found time to rehearse all those works
                    or perhaps they didn't need to
                    mercia,

                    I went to my first Prom in 1949, up in the Gallery where the echo wasn't so bad, this of course was long before the mushrooms under the ceiling. The poor old BBC SO played for most of the season, as I remember it there was a week or so with the LSO and a visit from the Halle. It was a great way to hear live performances of the standard works, and I was always thrilled by those evenings. However, although there were some great nights, I suspect that we might be a bit dismayed by the performance standards if a time machine was available for us to travel back.
                    I'm thinking mainly of the orchestral standard, there were always great soloists at the Proms, and I certainly don't blame the BBC SO, they really needed more rest days!

                    Comment

                    • bluestateprommer
                      Full Member
                      • Nov 2010
                      • 3019

                      #11
                      John Adams just led this same program in NYC at Avery Fisher Hall this past Wednesday night:



                      In principle, there might be room for a solo piano encore by Imogen Cooper, if everyone applauds long enough and stamps their feet :) .

                      Comment

                      • hmvman
                        Full Member
                        • Mar 2007
                        • 1125

                        #12
                        Originally posted by bluestateprommer View Post
                        In principle, there might be room for a solo piano encore by Imogen Cooper, if everyone applauds long enough and stamps their feet :) .
                        I'll be there applauding and stamping away then!

                        Comment

                        • ucanseetheend
                          Full Member
                          • Dec 2010
                          • 298

                          #13
                          Originally posted by teamsaint View Post
                          Completely agree. Interesting programme but I am constantly surprised at the brevity of many concerts.
                          I would be interested to know how programmes today compare in length to those of, say, 30 or 50 years ago.
                          I'm surprised folk are willing to pay to see what often amounts to 75 minutes of music. Whats the matter with musicians and conductors these days , no stamina? In the old days ....
                          "Perfection is not attainable,but if we chase perfection we can catch excellence"

                          Comment

                          • Barbirollians
                            Full Member
                            • Nov 2010
                            • 11752

                            #14
                            There is probably room for the whole of Gaspard de la Nuit !

                            Comment

                            • cloughie
                              Full Member
                              • Dec 2011
                              • 22189

                              #15
                              Originally posted by Barbirollians View Post
                              There is probably room for the whole of Gaspard de la Nuit !
                              Or at least Sonatine!

                              Comment

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