What's wrong with a great composer

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  • ferneyhoughgeliebte
    Gone fishin'
    • Sep 2011
    • 30163

    #16
    Originally posted by Hornspieler View Post
    In this year of the Olympics, one might at least have expected performances of the "London" symphony #104, the "Drumroll" symphony #103, the trumpet concerto and, if a British competitor(s) actually won gold, the "Surprise" symphony #84 and the "Miracle" symphony #96.


    BTW And in my opinion, Haydn's string quartets were the blueprint for all the string chamber music that was to follow - even up to the present day.
    [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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    • ferneyhoughgeliebte
      Gone fishin'
      • Sep 2011
      • 30163

      #17
      Originally posted by aeolium View Post
      John Drummond, when he was in charge of the Proms, said something to the effect of "People in Britain have never taken to Haydn's music", a comment which I still find bizarre (and wrong).
      Historically, this is obviously false, but presumably he was talking from experience as programmer for the 20th Century Proms, Edinburgh Festivals et al?
      [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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      • aeolium
        Full Member
        • Nov 2010
        • 3992

        #18
        Originally posted by ferneyhoughgeliebte View Post
        Historically, this is obviously false, but presumably he was talking from experience as programmer for the 20th Century Proms, Edinburgh Festivals et al?
        Yet, as John Skelton has mentioned, Glock's time in charge of the Proms saw Haydn programmed more frequently. But if you look at Drummond's own period of Proms stewardship, 1987-1995, the number of Haydn works per season rarely exceeds 4 and is sometimes as low as 1 or 2 (an all-Haydn concert in 1992 producing an unusual high of 8). If he really believed that about the British not taking to Haydn in recent times, wasn't it his responsibility to try and change that misguided attitude? After all, he was not shy of doing that with other composers much more difficult to programme in Britain than Haydn.

        My own suspicion is that Drummond did not particularly care for Haydn's music and was perhaps ascribing his own indifference to the British public as a way of justifying the lack of Haydn in his Proms programmes.

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        • MrGongGong
          Full Member
          • Nov 2010
          • 18357

          #19
          aaah yes, Haydn that completely unknown and overlooked composer
          you NEVER hear any of his works performed at all do you ?
          I mean it's not as if they EVER play any of his quartets at the Wigmore Hall

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          • aeolium
            Full Member
            • Nov 2010
            • 3992

            #20
            I mean it's not as if they EVER play any of his quartets at the Wigmore Hall
            Wasn't this thread about Haydn at the Proms?

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            • MrGongGong
              Full Member
              • Nov 2010
              • 18357

              #21
              Originally posted by aeolium View Post
              Wasn't this thread about Haydn at the Proms?
              indeed
              such an unknown composer
              deserves to have more exposure don't you think ?

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              • aeolium
                Full Member
                • Nov 2010
                • 3992

                #22
                deserves to have more exposure don't you think ?
                Yes, than he is getting this year or got last year

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                • MrGongGong
                  Full Member
                  • Nov 2010
                  • 18357

                  #23
                  Originally posted by aeolium View Post
                  Yes, than he is getting this year or got last year
                  There's nothing wrong with Haydn
                  but to suggest that somehow there is a "vendetta" against playing his music
                  is ridiculous ............

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                  • Hornspieler

                    #24
                    Originally posted by Ariosto View Post
                    I absolutely agree with you - and I too think Haydn is a very under-rated composer. And I will happily go on playing his wonderful quartets until the end of time. (And some of them are damned hard technically too!)

                    Best wishes - Ariosto
                    Thanks for that, Ari.

                    I have a very fine recording taken off-air of my wife's quartet playing Op. 76 NÂș 2 in D minor.

                    Damned hard is putting it mildly. That 1st violin part is a killer - and the others also have it tough in places.

                    With Haydn, there is no place to hide. (Play Haydnseek?)

                    HS

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                    • Boilk
                      Full Member
                      • Dec 2010
                      • 976

                      #25
                      It's no coincidence that the nicknamed symphonies tend to be more popular, but it unfairly eclipses the the 'merely' numbered ones.

                      Would be interesting to see some performance stats of nicknamed-versus-numbered for this genre over the last three centuries. The same goes for sonatas.

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